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Features
Random
Hong Kong Horror – The ’90s and Beyond
the editors
December 2003
Feature Articles
Recent
Criminals Against Decoration: Modernism as a Heist
Andy Reischling
October 2020
The New-Ark
: trying to disavow anti-blackness
Andrew Brooks
October 2020
Claustrophobia and Intimacy in Alex Ross Perry’s
Queen of Earth
and
Her Smell
Zoë Almeida Goodall
October 2020
What’s in a Cone? Barbara Loden’s
Wanda
Between Weakness and Resilience
Luise Moerke
October 2020
Come and See
The Painted Bird
: A Filmmaker’s Plea
Salvador Carrasco
October 2020
Thresholds of Work and Non-Work in Tulapop Saenjaroen’s
People on Sunday
Steffanie Ling
October 2020
Festival Reports
Random
MIAF at the Crossroads: A Report on the 2003 Melbourne International Animation Festival
the editors
July 2003
Festival Reports
Recent
Dreaming of the Mountains: The 9th Dharamshala International Film Festival
Sucheta Chakraborty
January 2021
Ghost Cities: The 58th Viennale
Leonardo Goi
January 2021
Queer and Australian Features at the 2020 Adelaide Film Festival
Stuart Richards
January 2021
Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival
Marc Raymond
January 2021
Live Through This: The 2020 Adelaide Film Festival
Saige Walton
January 2021
“Sense of Place”: The 33rd Tokyo International Film Festival
Kohei Usuda
January 2021
Book Reviews
Random
New Hollywood Cinema: An Introduction
by Geoff King
the editors
March 2003
Book Reviews
Recent
Revising a Concept:
Cinema Expanded: Avant-Garde Film in the Age of Intermedia
, by Jonathan Walley
Holly Willis
January 2021
When Everything Seemed Possible:
London’s Arts Labs and the 60s Avant-Garde
by David Curtis
Wheeler Winston Dixon
January 2021
“Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s
R.W. Fassbinder: Film Stills, 1966-1982
Eric Gudas
January 2021
Beneath the Tuxedo Elegance:
Cary Grant: The Making of a Hollywood Legend,
by Mark Glancy
Tom Ryan
January 2021
Anarchist Cinema:
A Dream of Resistance: The Cinema of Kobayashi Masaki
by Stephen Prince
Karthick Ram Manoharan
January 2021
Trade Follows the Film:
Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System
by Lee Grieveson
Daniel Fairfax
October 2020
CTEQ
Random
Just Some Jesus Looking for a Manger:
McCabe & Mrs. Miller
the editors
September 2000
CTEQ Annotations on Film
Recent
Stairways to Paradise: Youssef Chahine and
Alexandria…Why?
David Melville
October 2020
At Home Among Strangers (Свой среди чужих, чужой среди своих
, Nikita Mikhalkov, 1974)
Darragh O’Donoghue
October 2020
German Yearnings, East and West:
The Sons of Great Bear
(Josef Mach, 1966)
Donovan Renn
October 2020
Waiting for Rain: Oppression and Resistance in Youssef Chahine’s
The Land
(1970)
David Heslin
October 2020
Of East and West and High and Low:
Lemonade Joe
(1964)
Cerise Howard
October 2020
A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov
, Alla Surikova, 1987)
Martyn Bamber
October 2020
Great Directors
Random
Ghatak, Ritwik
the editors
December 2003
Great Directors
Recent
Scott, Tony
Jeremy Carr
October 2020
Menzel, Jiří
Brendan Black
October 2020
Wise, Robert
Adrian Schober
April 2020
Fernández, Emilio “Indio”
Abel Muñoz Hénonin
April 2020
Fei Mu
Jasper Mäkinen
October 2019
Huston, John
Bruce Jackson
July 2019
World Poll
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Special dossiers from 2015 onwards. For older dossiers, visit our
issue archive
.
Alice in Wonderland
Alice in Wonderland: An X-Rated Musical Comedy
(Bud Townsend, 1976)
Justine Smith
March 2018
A Networked Daydream: Takashi Murakami’s
Superflat Monogram
(2004)
David Surman
March 2018
Abandoned Alice: Marilyn Manson’s Unmade
Phantasmagoria: The Visions of Lewis Carroll
Alexandra Heller-Nicholas
March 2018
Alice in the Underworld: The Dark Märchen Show!!
(Mari Terashima, 2009)
Anton Bitel
March 2018
Rebellious Alice: Claude Chabrol’s
Alice ou la Dernière Fugue
(1977) and Stephen Dwoskin’s
The Silent Cry
(1977)
Darragh O’Donoghue
March 2018
The Curious Tale of Psychedelic Alice:
Alice in Acidland
(1969) and
Curious Alice
(1971)
Kat Ellinger
March 2018
All Mimsy Were the Borogoves: The Spectre of Lewis Carroll in Francesco Barilli’s
The Perfume of the Lady in Black
(1974)
Samm Deighan
March 2018
Chasing Rabbits out of the Hat and into the SHEDding of Childhood:
Alice
Dirk de Bruyn
March 2018
Alice on the Verge of a Nervous Breakdown: Norman Z. McLeod’s
Alice in Wonderland
(1933)
Joanna Di Mattia
March 2018
“That’s the Great Puzzle: Who Am I?”: Jonathan Miller’s
Alice in Wonderland
(1966)
Michelle J. Smith
March 2018
Forgotten Dreams: The Tumultuous Life of Lou Bunin’s
Alice in Wonderland
(1949)
David Heslin
March 2018
Fashion Wonderland: Disney, Dior and the Little Blue Dress
Nadia Buick
March 2018
Cinema and the Museum
The Quarrel of the
Dispositifs
: Reprise
Raymond Bellour
March 2018
Crossing Boundaries: Joana Hadjithomas and Khalil Joreige’s Work in Art and Film
Kate Warren
March 2018
Alexander Sokurov’s
Francofonia
: Museum Studies
Alex Munt
March 2018
Cinema and the Museum: Introduction
Daniel Fairfax
March 2018
The Loop of Belatedness: Cinema After Film in the Contemporary Art Gallery
Thomas Elsaesser
March 2018
On Sound and Artistic Moving Images: Anri Sala’s Acoustic Territories
Catherine Fowler
March 2018
100 Years of Soviet Cinema
1926:
Stride, Soviet!
(Dziga Vertov)
Barbara Wurm
December 2017
2006:
Blockade
(Sergei Loznitsa)
Tatiana Efremova
December 2017
1998:
Khrustalyov, My Car!
(Aleksei German)
Greg Dolgopolov
December 2017
2003:
Russian Ark
(Aleksandr Sokurov)
Pasquale Iannone
December 2017
1989:
The Asthenic Syndrome
(Kira Muratova)
Evgeny Gusyatinskiy
December 2017
1971:
Trial of the Road
(Aleksei German)
Pasquale Iannone
December 2017
1985:
Come and See
(Elem Klimov)
Adrian Danks
December 2017
1972:
Solaris
(Andrei Tarkovsky)
Acquarello
December 2017
1975:
Mirror
(Andrei Tarkovsky)
Sam Ishii-Gonzales
December 2017
1962:
Ivan’s Childhood
(Andrei Tarkovsky)
Fergus Daly
and
Katherine Waugh
December 2017
1966:
Andrei Roublev
(Andrei Tarkovsky)
Hamish Ford
December 2017
1969:
The Colour of Pomegranates
(Sergei Parajanov)
Rahul Hamid
December 2017
Sartre at the Movies
Before
The Battle of Algiers
: Sartre, Colonialism, Industrial Cinema, and an Unmade Film
Luca Peretti
September 2017
Holidays and the Movies in Sartre’s Imagination
Dudley Andrew
September 2017
Models of the Public Intellectual: Cinema and Engagement in Sartre and Godard
Daniel Fairfax
September 2017
Screening Melbourne
Affectively Trapped, Fossilised and Fetishised: Early 1990s Melbourne through Stillness, Movement and Music in
Proof
(Jocelyn Moorhouse, 1991)
Diana Sandars
December 2017
Leaving Home: Kennedy Miller in Melbourne
James Robert Douglas
December 2017
Before
On the Beach
: Melbourne on Film in the 1950s
Adrian Danks
December 2017
Melbourne’s Capitol Theatre: “The Best Cinema That Has Ever Been Built or Is Ever Likely to Be Built”
Lisa French
December 2017
Introduction: Screening Melbourne
Sean Redmond
and
Glen Donnar
December 2017
Uncanny Suburbia, Hauntology and Post-Traumatic Poetics: Conversations with Dirk de Bruyn’s
Conversations With My Mother
(1990).
Glenn D'Cruz
November 2017
Screenwriting Melbourne/s: The Challenges of Re-presenting and Re-creating Melbourne Within a Screenplay’s Flipped-Reality Narrative
Stayci Taylor
November 2017
Sonic Disturbance and Chromatic Dissolution: The Cantrills remake Melbourne
Tessa Laird
November 2017
Revisiting Budd Boetticher
Revisiting Budd Boetticher: Introduction
Dean Brandum
June 2017
“Don’t Do Things You Don’t Know About”: An Interview With Budd Boetticher
Andrew J. Rausch
June 2017
“What the Hell’s a Nun Doin’ Out Here?”: Budd Boetticher Revised in
Two Mules For Sister Sara
(Don Siegel, 1970)
Eloise Ross
June 2017
Alone in the Alabama Hills: Budd Boetticher and Lone Pine
Geoff Mayer
June 2017
Budd Boetticher: The Last Hollywood Rebel
Wheeler Winston Dixon
June 2017
“No One Can Kill Me”:
The Rise and Fall of Legs Diamond
(Budd Boetticher, 1960)
Wheeler Winston Dixon
June 2017
Between ‘Action’ and ‘Cut’: Budd Boetticher’s Performative Arena
Paul Jeffery
June 2017
Budd and Sand – The Aesthetics of Gender in
The Bullfighter and the Lady
(Budd Boetticher, 1951)
David Melville
June 2017
Deaths in the Afternoon:
Arruza
(Budd Boetticher, 1972)
Dean Brandum
June 2017
Boetticher’s Bad Men
Jeremy Carr
June 2017
“A Full Woman Like That”: Female Resilience in
Seven Men from Now
(Budd Boetticher, 1956)
Amy Taylor
May 2017
Ride Lonesome: The Career of Budd Boetticher
Sean Axmaker
February 2006
Pioneering Australian Women
Pioneering Australian Women Filmmakers: Introduction
Eloise Ross
July 2017
“Film is the Art Form of Today”: An Interview with Nadia Tass
Isabella McNeill
July 2017
Girls on Film: Growing Up with
Cinema Papers
Alexandra Heller-Nicholas
July 2017
Claudia Karvan: The Girl Most Likely
Alexandra Heller-Nicholas
July 2017
Questioning the “Strong Female Character”: Gillian Armstrong’s
High Tide
(1987)
Blythe Worthy
July 2017
High Spirits: Jo Kennedy in
Starstruck
(Gillian Armstrong, 1982) and
Tender Hooks
(Mary Callaghan, 1989)
Eloise Ross
July 2017
Floating Life
: The Heaviness of Moving
Stephen Teo
July 2017
Girlhood Wild and Queer: Ana Kokkinos’s
Only The Brave
(1994)
Whitney Monaghan
July 2017
“Gentle, Tender, Rough, Kind and Cruel”: An Interview with director Mary Callaghan on
Tender Hooks
(1989)
the editors
July 2017
Trust Your Instinct: An Interview with Ann Turner
Craig Martin
July 2017
Monsters, Masks and Murgatroyd: The Horror of Ann Turner’s
Celia
Craig Martin
July 2017
The Spectre at the Window: Tracey Moffatt’s
beDevil
(1993)
Kate Robertson
July 2017
Contemporary Cinema Studies: A Discipline With A Future?
Contemporary Cinema Studies: A Discipline with a Future? (Introduction)
Daniel Fairfax
June 2017
The Experience of a Gaze Held in Time: Interview with Jacques Aumont
Daniel Fairfax
June 2017
The Cinema is a Bad Object: Interview with Francesco Casetti
Daniel Fairfax
June 2017
We Live in a World of Images: Interview with Dana Polan
Daniel Fairfax
June 2017
A Hybrid and Composite Field: Interview with Vinzenz Hediger
Daniel Fairfax
June 2017
The Possibilities are Still to be Explored: Interview with Angela Ndalianis
Daniel Fairfax
June 2017
Transnational Traffic: Interview with Weihong Bao
Daniel Fairfax
June 2017
Two interviews with Jean-Marie Straub and Danièle Huillet
Two Interviews with Jean-Marie Straub and Danièle Huillet (1976 and 1984)
Sally Shafto
June 2017
Class Relations
: A Conversation with Jean-Marie Straub and Danièle Huillet
Edoardo Bruno and Riccardo Rosetti
June 2017
Rage and Resistance: Jean-Marie Straub and Danièle Huillet Interviewed by Claude-Jean Philippe (1976)
Claude-Jean Philippe
June 2017
Christian Petzold
Christian Petzold: A Dossier
Jaimey Fisher
and
Marco Abel
September 2017
Moving Portraits: Christian Petzold and The Art of Portraiture
Jasmin Krakenberg
September 2017
“A Place without Parents”: Queer and Maternal Desire in the Films of Christian Petzold
Joy Castro
September 2017
“The Protestant Method”
Christoph Hochhäusler
September 2017
“Das ist vorbei”: Untimely Encounters with Neoliberalism in Christian Petzold’s dffb Student Films
Marco Abel
September 2017
Ghosts and their Prices: Surveillance and Image Economies in Christian Petzold’s Cinema
William Mahan
September 2017
No Time Like the Present: The Edges of the World in Christian Petzold’s
Barbara
Brad Prager
September 2017
The Cinema is a Warehouse of Memory: A Conversation Among Christian Petzold, Robert Fischer, and Jaimey Fisher
Jaimey Fisher
and
Robert Fischer
September 2017
The Texture of History: Petzold’s
Barbara
and
The Lives of Others
Roger Cook
September 2017
Petzold’s
Phoenix
, Fassbinder’s
Maria Braun
, and the Melodramatic Archaeology of the Rubble Past
Jaimey Fisher
September 2017
Love Letters: 1967
1967: Love Letters
the editors
March 2017
In the Heat of the Night
(Norman Jewison, 1967)
Joanna Di Mattia
March 2017
A Degree of Murder
(
Mord und Totschlag
, Volker Schlöndorff, 1967)
Alexandra Heller-Nicholas
March 2017
Accident
(Joseph Losey, 1967)
Dean Brandum
March 2017
La Collectionneuse
(Éric Rohmer, 1967)
Maura Edmond
March 2017
Branded to Kill
(Seijun Suzuki, 1967)
Alexia Kannas
March 2017
Privilege
(Peter Watkins, 1967)
Luke Goodsell
March 2017
Six Men Getting Sick
(David Lynch, 1967)
Anton Bitel
March 2017
Playtime
(Jacques Tati, 1967)
Sandra E. Lim
March 2017
The Jungle Book
(Wolfgang Reitherman, 1967)
David Surman
March 2017
This Night I’ll Possess Your Corpse
(
Esta Noite Encarnarei no Teu Cadáver
, José Mojica Marins, 1967)
Kat Ellinger
March 2017
Portrait of Jason
(Shirley Clarke, 1967)
Rachel Brown
March 2017
Beyond The Babadook: Australian Women’s Filmmaking and the Dark Fantastic
Beyond The Babadook: Australian Women’s Filmmaking and the Dark Fantastic
the editors
December 2016
Trust Your Instinct: An Interview with Ann Turner
Craig Martin
December 2016
The Spectre at the Window: Tracey Moffatt’s
beDevil
(1993)
Kate Robertson
December 2016
Monsters, Masks and Murgatroyd: The Horror of Ann Turner’s
Celia
Craig Martin
December 2016
Who’s Knocking in My Little House? Ursula Dabrowsky’s
Inner Demon
(2014)
Donna McRae
December 2016
“You’re a frigid bitch and your friend is a homo”: Coming of Age in
Girl Asleep
Michelle J. Smith
December 2016
Making Magic: An Australian Women Horror Filmmakers Roundtable
the editors
December 2016
The Wind Will Carry Him: Abbas Kiarostami Remembered
The Wind Will Carry Him: Abbas Kiarostami Remembered (Introduction)
Daniel Fairfax
December 2016
Abbas Kiarostami Gallery
André Habib
December 2016
In Memory of A.K.
André Habib
December 2016
Wind: Serendipity and Cinephilia
Negar Mottahedeh
December 2016
Drinking from a Mirage
Mehrnaz Saeed-Vafa
December 2016
Poetry and Subversion: Kiarostami’s Films for One Diasporic Iranian
Shabnam Piryaei
December 2016
Five to
Ten
: Five Reflections on Abbas Kiarostami’s
10
Rolando Caputo
December 2003
Kiarostami, Abbas
Mehrnaz Saeed-Vafa
May 2002
A Mirror Facing a Mirror
Jared Rapfogel
November 2001
Taste of Kiarostami
David Sterritt
September 2000
American Extreme
Introduction: American Extreme
Alexandra Heller-Nicholas
and
Jack Sargeant
September 2016
The Pornographic Imagination Manifest: Notes On Usama Alshaibi’s
The Amateurs
(2003)
Jack Sargeant
September 2016
Fear of a Black Phallus: Jamaa Fanaka’s
Welcome Home Brother Charles
(1975)
Dean Brandum
September 2016
Divine Dog Shit: John Waters and Disruptive Queer Humour in Film
Stuart Richards
September 2016
Deracination, Disembowelling and Scorched Earth Aesthetics: Feminist Cinemas, No Wave and the Punk Avant Garde
Maura Edmond
September 2016
“A Malignant, Seething Hatework”: An Introduction to US 21st Century Hardcore Horror
James Aston
September 2016
Goodbye, McFly: Crispin Glover’s ‘It’ Trilogy and the Cinema of Reaction
Keva York
September 2016
Making Revolutionary Love: Radical Sex and Cooptation in the Films of Bruce LaBruce
Jasmine McGowan
September 2016
What’s Inside a Girl?: Porn, Horror and the Films of Roberta Findlay
Alexandra Heller-Nicholas
September 2016
The Invisible Exploding Woman
Alexandra Heller-Nicholas
September 2016
Movements: Filmmaker Interviews
Movements: Filmmaker Interviews
the editors
March 2017
The New Extremism in the Street of Comedy: An Interview with Bruno Dumont
Amir Ganjavie
March 2017
“Empathy is Always a Much-Needed Quality”: An Interview with Filmmaker/Educator Rachel Perkins
Isabella McNeill
March 2017
“Inspiration is More Important Than Experience”: An Interview with Jaime Rosales
Tomáš Hudák
March 2017
“Even If You Have Nothing, You Should Keep Filming”: An Interview with Cheng Yu-Chieh on
Wawa No Cidal
(2015)
Christopher Brown
March 2017
Intuition and the Search for Deep Emotion: An Interview with Nana & Simon
Brigitta Wagner
March 2017
Arab Cinema Through a Narrow Frame: A Conversation with Tala Hadid
Kamran Rastegar
March 2017
New Directions in Screen Studies
Mashup Videos and the Queer Archive
Whitney Monaghan
September 2016
Corporeal Affects and Fleshy Vulnerability: Nonprofessional Performance as Process in
L’humanité
and
Battle in Heaven
Michel Rubin
September 2016
Apparatus Theory in the Age of “New” Media: Three Cases from
Cahiers du cinéma
Daniel Fairfax
September 2016
Language matters
Chloe Benson
September 2016
In Her Shoes: Flipped-realities and Female Perspectives in Comedy Screenwriting
Stayci Taylor
September 2016
"I'll See You in 25 Years": The Return of Twin Peaks and Television Aesthetics
Introduction – “I’ll See You in 25 Years”: The Return of
Twin Peaks
and Television Aesthetics
the editors
July 2016
May the Giant Be With You:
Twin Peaks
Season Two, Episode One and the Television Auteur
Lindsay Hallam
July 2016
Tensions in the World of Moon:
Twin Peaks
, Indigeneity and Territoriality
Geoff Bil
July 2016
Telephones, Voice Recorders, Microphones, Phonographs: A Media Archaeology of Sonic Technologies in
Twin Peaks
Michael Goddard
July 2016
One Way Out Between Two Worlds: The Dance Moves of
Twin Peaks
Alanna Thain
July 2016
“Damn Fine Coffee” Advertising: David Lynch’s TV Commercial Adaptation of
Twin Peaks
Agnes Malkinson
July 2016
Deconstructing Jerry: Lewis as Director
Deconstructing Jerry: Lewis as Director (Introduction)
Daniel Fairfax
July 2016
Lewis, Jerry
Chris Fujiwara
July 2016
Some Basic Characteristics of the Fool (1970)
The Melbourne Film Bulletin
July 2016
Mr Lewis, “The Idiot-Kid” and Me
Jennifer Sabine
July 2016
The Bellboy
(1960)
James L. Neibaur
July 2016
The Ladies Man
(1961)
Murray Pomerance
July 2016
The Errand Boy
(1961)
Marco Grosoli
July 2016
The Nutty Professor (1963)
Scott Bukatman
July 2016
The Patsy
(1964)
Nafis Shafizadeh
July 2016
The Family Jewels
(1965)
Jeremi Szaniawski
July 2016
Three on a Couch
(1966)
Chris Fujiwara
July 2016
The Big Mouth
(1967)
Steven Shaviro
July 2016
Jacques Rivette
Manifest Spectres: An Interview with Robert Fischer on Jacques Rivette’s
Out 1
David Heslin
July 2016
Jacques Rivette’s
Out 1
: From First to Last
Donatella Valente
and
Brad Stevens
July 2016
From the Brontëan Text to the Tableaux: Jacques Rivette’s
Hurlevent
Mary M. Wiles
July 2016
A Second Wind: Jacques Rivette and
Cahiers du cinéma
in the Late 1960s
Daniel Fairfax
July 2016
Charting the Web: At the Demonic, Utopian Heart of Rivette’s 1970s Cinema
Hamish Ford
July 2016
Paris is a Soundstage
Miriam Bale
July 2016
The Captive Lover
– An Interview with Jacques Rivette
Frédéric Bonnaud
September 2001
Mono No Aware: The Films of Abel Ferrara, 2005-2015
Mono No Aware
: The Films of Abel Ferrara, 2005-2015
the editors
March 2016
Late Capitalist Atrocity Exhibition: Abel Ferrara’s
Welcome To New York
James Slaymaker
March 2016
The Tao of Abel
Rowan Righelato
March 2016
Abel Ferrara gets real:
Chelsea on the Rocks
,
Napoli, Napoli, Napoli
and
Mulberry St.
Tim O’Farrell
March 2016
Contemporary British Experimental Film & Video
Reflections on Contemporary British Experimental Film and Video
Deniz Johns and Simon Payne
March 2016
Two ‘Machine’ Films:
About Now MMX
and
Ex Library
Nicky Hamlyn
March 2016
1970s Experimental Films: Then and Now
Patti Gaal-Holmes
March 2016
Negative Light: Contemporary British Experimental Film and Video
Simon Payne
March 2016
Beyond the Cringe: Australia, Britain, and the Post-Colonial Film Avant-Garde
Steven Ball
March 2016
Chantal Akerman: La Passion de L’Intime / An Intimate Passion
In Memoriam – Chantal Akerman: La Passion de L’Intime / An Intimate Passion
Bérénice Reynaud
December 2015
Speech read out during the funeral ceremony for Chantal Akerman at the Père Lachaise cemetery, Tuesday, 13 October, 2015
Delphine Horvilleur
December 2015
A Last Conversation with Chantal Akerman
Esther Orner
December 2015
With Chantal
Marilyn Watelet
December 2015
Tribute to Chantal Akerman by Claire Atherton
Claire Atherton
December 2015
Dear Chantal
Yvonne Rainer
December 2015
I Didn’t See Time Go By
Vivian Ostrovsky
December 2015
About
Saute ma ville
(1968), Chantal Akerman’s first film
Nicole Fernandez Ferrer
December 2015
Chantal and Some Comrades. Fragments.
Nicole Brenez
December 2015
The Loudness of the World: Listening to What is Out There: Sound Strategies in Akerman’s Fiction and Documentary Films
Babette Mangolte
December 2015
Chantal Akerman: Heartfelt
Janet Bergstrom
December 2015
Projection: On Chantal Akerman’s Screens, from Cinema to the Art Gallery
Giuliana Bruno
December 2015
The Legacy of Pier Paolo Pasolini
The Legacy of Pier Paolo Pasolini: Introduction
Luca Peretti and Daniel Fairfax
December 2015
Pier Paolo Pasolini’s “Bandung Man”: The Indian and African Documentaries
Pieter Vanhove
December 2015
Comizi di Non Amore: Francesco Vezzoli Revisits Pasolini through Reality TV
Francesco Spampinato
December 2015
(Mamma) Roma
between Archaic and Modern Italy: Urbanisation and the Destruction of Poetical Dwelling
Eleonora Sartoni
December 2015
Not to be Reproduced: Pasolini’s
Salò
and the Question of Visual Arts
Ana Delia Rogobete
December 2015
Beyond Perverse Allegiance: The Problem of Viewers’ Engagement in Pier Paolo Pasolini’s
Salò or The 120 Days of Sodom
Paolo Russo
December 2015
Anglo-American Scholarship on Pasolini Today: Cinema and
cinema of poetry
Karen Raizen
December 2015
Pasolini’s “Kapadokya”
Ellen Patat and Cristiano Bedin
December 2015
The Profanation of Montage: Pasolini’s Allegorical Death/Cut in the Sequence-Shot
Toni Hildebrandt
December 2015
Australian Film History
A Work in Progress: the Rise and Fall of Australian Filmmakers Co-operatives, 1966–86
John Hughes
December 2015
The Pioneering Years of Australian Animation (1900–1930): From Animated Sketches to Animation Empire
Dan Torre and Lienors Torre
December 2015
Documentary in Asia
The Good Cats of Chinese Documentary
Bérénice Reynaud
September 2015
300 million clicks:
Under the Dome
and the Chinese Documentary Context
Dan Edwards
September 2015
Mapping Asian Documentary Film Festivals since 1989: Small Histories and Splendid Connections
Ma Ran
September 2015
Wages of Resistance
and the Spiritual Problem of Sanrizuka
Markus Nornes
September 2015
On the Banning of a Film: Tan Pin Pin’s
To Singapore, with Love
Olivia Khoo
September 2015
On Whose Behalf? Ethics in Indian Social Documentary Film and Practice
Shweta Kishore
September 2015
Sufi poets, story-telling as performance and non-violence in Indian documentary film
Anne Rutherford and Laleen Jayamanne
September 2015
Focus on David Gulpilil at MIFF 2015
We’re in
Another Country
– but David Gulpilil is Here to Help
Dan Edwards
July 2015
What Happened To Billy?: David Gulpilil on
Mad Dog Morgan
Jake Wilson
July 2015
An Authentic Dreamtime: David Gulpilil and
The Last Wave
(Peter Weir, 1977)
Lisa French
July 2015
Michael Bay
The Cinema of Michael Bay: Technology, Transformation, and Spectacle in the ‘Post-Cinematic’ Era
Bruce Bennett - Leon Gurevitch - Bruce Isaacs
June 2015
Rotational Aesthetics: Michael Bay and Contemporary Cinema’s Machine Movement
Lisa Purse
June 2015
The Mechanics of Continuity in Michael Bay’s
Transformers
Franchise
Bruce Isaacs
June 2015
The Transforming Face of Industrial Spectacle: A Media Archaeology of Machinic Mobility
Leon Gurevitch
June 2015
The Cinema of Michael Bay: An Aesthetic of Excess
Bruce Bennett
June 2015
The Cinema Within: spectacle, labour and utopia in Michael Bay’s
The Island
Brian Baker
June 2015
