Author Eleonora Sartoni

Eleonora Sartoni

Eleonora Sartoni is a PhD candidate at Rutgers University, New Jersey. She received both her B.A. in Modern Languages and Literature and her M.A. in Modern Languages and Intercultural Studies at the University of Siena. In her dissertation, titled Spectacular Capital(ist) City:Wanderings through Rome from 1870 to the Present, she investigates the creation of Rome’s national identity through the study of monuments, architecture, and urban expansion.

(Mamma) Roma between Archaic and Modern Italy: Urbanisation and the Destruction of Poetical Dwelling

Eleonora Sartoni

December 2015

The Legacy of Pier Paolo Pasolini

This article reads Martin Heidegger’s lectures on dwelling alongside Pier Paolo Pasolini’s depiction of Casarsa in “L’Usignolo” (“The Nightingale”) and of the Roman periphery in Mamma Roma (Pier Paolo Pasolini,...

When You Cut Up the Frame: An Interview with Julie Talen

Criminals Against Decoration: Modernism as a Heist

The New-Ark: trying to disavow anti-blackness

Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

Come and See The Painted Bird: A Filmmaker’s Plea

Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

2003 Berlin Film Festival – A Report

The 34th Cinema Ritrovato Has Full Resuscitation under COVID

Women at the 2020 Toronto International Film Festival

Lest We Forget: the 31st FID Marseille

A Vitalising Cinema in an Agitated Age: The 58th New York Film Festival

Locarno 2020: The Open Doors Experience

Your Daughters Come Back to You: The 28th Pan African Film and Arts Festival

Print the Legend - Raoul Walsh: The True Adventures of Hollywood’s Legendary Director by Marilyn Ann Moss

War, Community, and the Cinema: Front Lines of Community: Hollywood Between War and Democracy by Hermann Kappelhof and Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

The Perfect Conditional: Philippe Garrel by Michael Leonard

Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan

Engaged Vision: Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar

The Restless Spectator: Anxious Cinephilia: Pleasure and Peril at the Movies, by Sarah Keller

Reagan at the Movies: Make My Day: Movie Culture in the Age of Reagan, by J. Hoberman

Zazie dans le métro

Stairways to Paradise: Youssef Chahine and Alexandria…Why?

At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

Of East and West and High and Low: Lemonade Joe (1964)

A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

Bava, Mario

Scott, Tony

Menzel, Jiří

Wise, Robert

Fernández, Emilio “Indio”

Fei Mu

Huston, John

(Mamma) Roma between Archaic and Modern Italy: Urbanisation and the Destruction of Poetical Dwelling