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  • Features
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    • Choice and Chance: A Dialectic of Morality and Romance in Eric Rohmer’s My Night at Maud’s

      Eleonora Sartoni
      April 2010
      Eric Rohmer Dossier, Feature Articles, Special Dossiers
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
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      Underground/Overground: The 1st Sydney Underground Film Festival

      Eleonora Sartoni
      March 2008
      Festival Reports
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    • Dreaming of the Mountains: The 9th Dharamshala International Film Festival

      Sucheta Chakraborty
      January 2021
    • Ghost Cities: The 58th Viennale

      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
    • Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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    • Rape in Art Cinema edited by Dominique Russell

      Eleonora Sartoni
      September 2012
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
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      Dance of the Vampires/The Fearless Vampire Killers

      Eleonora Sartoni
      March 2008
      CTEQ Annotations on Film
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    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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    • Clarke, Shirley

      Eleonora Sartoni
      December 2012
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Eleonora Sartoni

Eleonora Sartoni

Eleonora Sartoni is a PhD candidate at Rutgers University, New Jersey. She received both her B.A. in Modern Languages and Literature and her M.A. in Modern Languages and Intercultural Studies at the University of Siena. In her dissertation, titled Spectacular Capital(ist) City:Wanderings through Rome from 1870 to the Present, she investigates the creation of Rome’s national identity through the study of monuments, architecture, and urban expansion.

Pasolini

(Mamma) Roma between Archaic and Modern Italy: Urbanisation and the Destruction of Poetical Dwelling

Eleonora Sartoni
December 2015
The Legacy of Pier Paolo Pasolini
This article reads Martin Heidegger’s lectures on dwelling alongside Pier Paolo Pasolini’s depiction of Casarsa in “L’Usignolo” (“The Nightingale”) and of the Roman periphery in Mamma Roma (Pier Paolo Pasolini,...

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