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      “When men, even unknowingly, …”: Quién sabe?, Love is Colder than Death, Le Cercle rouge: The Buddy Movie Becomes Romance

      Jaimey Fisher and Robert Fischer
      May 2008
      Feature Articles
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
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    • Beyond the Frame: The 61st Sydney Film Festival

      Jaimey Fisher and Robert Fischer
      October 2014
      Festival Reports
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    • Dreaming of the Mountains: The 9th Dharamshala International Film Festival

      Sucheta Chakraborty
      January 2021
    • Ghost Cities: The 58th Viennale

      Leonardo Goi
      January 2021
    • Queer and Australian Features at the 2020 Adelaide Film Festival

      Stuart Richards
      January 2021
    • Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival

      Marc Raymond
      January 2021
    • Live Through This: The 2020 Adelaide Film Festival

      Saige Walton
      January 2021
    • “Sense of Place”: The 33rd Tokyo International Film Festival

      Kohei Usuda
      January 2021
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    • Decentring France

      Ici et ailleurs: Decentring France by Gemma King

      Jaimey Fisher and Robert Fischer
      December 2017
      Book Reviews
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
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      Der Letzte Mann (The Last Laugh)

      Jaimey Fisher and Robert Fischer
      July 2004
      CTEQ Annotations on Film
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    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
  • Great Directors
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    • Sturges, Preston

      Jaimey Fisher and Robert Fischer
      July 2004
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    • Scott, Tony

      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
    • Fei Mu

      Jasper Mäkinen
      October 2019
    • Huston, John

      Bruce Jackson
      July 2019
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Author Robert Fischer

Robert Fischer

Robert Fischer started writing about film in the mid-1970s, publishing books on Hitchcock, Welles, David Lynch, Jean-Pierre Melville, Fassbinder and others. German translator of Truffaut's complete writings and Bazin’s What Is Cinema?. After a stint as Vice Director at the Munich Film Museum, where he was involved in the reconstruction of Orson Welles’ unfinished films, he switched to filmmaking in 1999. His films include: Monsieur Truffaut Meets Mr. Hitchcock (1999), Fassbinder in Hollywood (2002), Ernst Lubitsch in Berlin (2006), Starting Out: The Making of Jerzy Skolimowski’s Deep End (2011), Aldrich Over Munich: The Making of Twilight’s Last Gleaming (2012), Swan Song: The Story of Billy Wilder’s Fedora (2014), Last of the Independents: Don Siegel and the Making of Charley Varrick (2015), Return to Beethoven Street: Sam Fuller in Germany (2015) and The Mysteries of Paris: Jacques Rivette’s Out 1 Revisited (2015). Consulting Producer for The Criterion Collection, New York, since 2002. Fischer lives in Munich.

Christian Petzold

The Cinema is a Warehouse of Memory: A Conversation Among Christian Petzold, Robert Fischer, and Jaimey Fisher

Jaimey Fisher and Robert Fischer
September 2017
Christian Petzold: A Dossier
Translated by Jaimey Fisher This conversation among writer/director Christian Petzold, senior programmer Robert Fischer, and Prof. Jaimey Fisher of University of California, Davis was part of the “Filmmaker Li...

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Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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