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      Journey to Galveston: An Interview with Catherine Berge on King Vidor

      Paolo Russo
      June 2011
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
  • Interviews
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    • “Can You Prefigure Reality?”: A Conversation with Christoph Hochhäusler on his new film, Bis ans Ende der Nacht (Till the End of the Night)

      Paolo Russo
      August 2023
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Paolo Russo
      November 2007
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      Florian Zappe
      July 2026
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      Patrick F. Campos
      July 2026
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Paolo Russo
      May 2023
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
  • Festival Reports
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    • The Festival that Came in from the South: The 28th Fribourg International Film Festival

      Paolo Russo
      June 2014
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    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
  • Book Reviews
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    • Returning to the Movie Theatre: Roland Barthes’ Cinema by Philip Watts and La nuit sera noire et blanche by Jean Narboni

      Paolo Russo
      March 2016
      Book Reviews
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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    • Tomboy (Céline Sciamma, 2011)

      Paolo Russo
      September 2022
      CTEQ Annotations on Film
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    • Lisa and the Devil

      Inge Fossen
      September 2026
    • The Girl Who Knew Too Much

      Alexia Kannas
      September 2026
    • Rabid Dogs

      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
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Author Paolo Russo

Paolo Russo

Paolo Russo is Senior Lecturer in Film Studies at Oxford Brookes University. His most recent publications include: ‘Suso Cecchi d’Amico’ (Palgrave Macmillan 2015), ‘Migration told through noir convention in Tornatore’s The Unknown Woman and Garrone’s Gomorrah’ (Peter Lang 2015), ‘Pain Is in the Mind: Dream Narrative in Inception and Shutter Island’ (Routledge 2014), and the 2014 issue of Quaderni del CSCI on Italian screenwriters. Paolo is also a professional screenwriter.

Pasolini Salo

Beyond Perverse Allegiance: The Problem of Viewers’ Engagement in Pier Paolo Pasolini’s Salò or The 120 Days of Sodom (Issue 77, December 2015)

Paolo Russo
October 2019
Highlights from 20 years of Senses of Cinema
Originally published in Senses of Cinema issue 77, December 2015. “Perhaps the most successful representation of physical cruelty in the history of cinema.” – Gilbert Adair, 1979 In a lengthy letter to the ...
Pasolini Salò

Beyond Perverse Allegiance: The Problem of Viewers’ Engagement in Pier Paolo Pasolini’s Salò or The 120 Days of Sodom

Paolo Russo
December 2015
The Legacy of Pier Paolo Pasolini
“Perhaps the most successful representation of physical cruelty in the history of cinema.” – Gilbert Adair, 1979 In a lengthy letter to the Director of Public Prosecutions, James Ferman, the then Chief Exami...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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