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    • The Strange Object of the Voice: A Bad Lip Reading

      André Habib
      July 2013
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      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
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      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Cinema For/Against the Lure of Images: The 23rd Vancouver International Film Festival

      André Habib
      February 2005
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      Chasing the Runaways: Foreign Film Production and Film Studio Development in Australia 1988-2002 by Nick Herd

      André Habib
      July 2005
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      André Habib
      March 2003
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
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      Martyn Bamber
      October 2020
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      André Habib
      March 2003
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author André Habib

André Habib

André Habib is associate professor in the Department of Art History and Film Studies at the Université de Montréal. He is the author of L'attrait de la ruine (2011) and La main gauche de Jean-Pierre Léaud (2015) and he also coedited the following works: Épopée. Textes, Entretiens, Documents (2013), L'avenir de la mémoire: patrimoine, restauration, réemploi (with Michel Marie, 2013) and Chris Marker et l'imprimerie du regard (with Viva Paci, 2008). He is also the co-editor of the web Journal Hors champ. His recent research has dealt with the aesthetics of ruins, found footage filmmaking, cinephilia and the archive.

Jean-Pierre Léaud in Masculine-Feminine (Jean-Luc Godard, 1965)

Jean-Pierre Léaud’s Left Hand

André Habib
June 2018
Stardust Memories: Cinephilia and Nostalgia
In 2009, the Ontario Cinémathèque in Toronto presented a cycle on the nouvelle vague, and screened Masculin-Féminin (Masculine-Feminine, Jean-Luc Godard, 1965), a film that I had seen numerous times, but always...

Abbas Kiarostami Gallery

André Habib
December 2016
The Wind Will Carry Him: Abbas Kiarostami Remembered
In memory of A.K., some pebbles strewn at random in the guise of a grave. ...
Abbas Kiarostami

In Memory of A.K.

André Habib
December 2016
The Wind Will Carry Him: Abbas Kiarostami Remembered
Abbas Kiarostami’s death was announced on July 4. The news reached you during the summer holidays, somewhat out of kilter with the time of year. You almost could have ignored it. But then, all of a sudden, you ...
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Through a Glass Darkly – Interview with the Quay Brothers

André Habib
March 2002
Feature Articles
In this thorough, extensive interview, the Quays discuss their work, influences, intentions, aesthetic strategies and much more.
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Before and After: Origins and Death in the Work of Jean-Luc Godard

André Habib
September 2001
French Cinema Present and Past
Habib illuminates the Godardian motifs of beginnings and endings, crucifixions and resurrections, origins and destinations from biographical, historical and poetic angles.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

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Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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