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      Maura Edmond and John Edmond
      March 2011
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      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
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      Indigo Bailey
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      Arindam Sen
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      Dirk de Bruyn
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      Maura Edmond and John Edmond
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      Tara Judah
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      Maria Giovanna Vagenas
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      Toby Wu
      January 2023
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      Arindam Sen
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      Hamed Sarrafi
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      David A. Gerstner
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      Maura Edmond and John Edmond
      March 2015
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      Giampiero Frasca
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      Sherry Johnson
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      Maura Edmond and John Edmond
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      Jacob Agius
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      Maura Edmond and John Edmond
      March 2017
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      Leonardo Goi
      January 2023
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      Marc Raymond
      January 2023
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      Glenn D'Cruz
      January 2023
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      Kohei Usuda
      January 2023
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      Tara Judah
      January 2023
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      Neil Young
      January 2023
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      Maura Edmond and John Edmond
      June 2018
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      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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      Maura Edmond and John Edmond
      March 2018
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      Andrew Le
      April 2023
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      Emma Fajgenbaum
      March 2023
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      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
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Author Maura Edmond

Maura Edmond

Maura Edmond is a Lecturer in Media Studies at Monash University. Her work on art, media and culture has been published in New Media and Society, Television and New Media, Overland, Senses of Cinema, Art and Australia and the Routledge Companion to Global Cultural Policy (Routledge, 2018).

The Tender Force of Valérie Massadian

Maura Edmond and John Edmond
March 2019
Valérie Massadian and the Aesthetics of Care
This project began in Melbourne’s Princes Park. Margot, Maura’s daughter, was ambling about in the sunshine while we discussed Milla, and its recent debut at Locarno 2017. Margot was then only a little younger ...

Interview with Valérie Massadian: More Feeding, Less Screaming

John Edmond and Maura Edmond
March 2019
Valérie Massadian and the Aesthetics of Care
Valérie Massadian’s charismatic and raw interviews match her work. In this conversation she discusses her background, her approach to reality, and how both inform her filmmaking practice. The interview was c...
La Collectionneuse

La Collectionneuse (Éric Rohmer, 1967)

Maura Edmond
March 2017
Love Letters: 1967
You could be forgiven for thinking Eric Rohmer’s first film cycle, the ‘Six Moral Tales’ included six different moral tales. It doesn’t. In each film of the series, a man makes a choice between two women. To be...
Feminist Cinemas

Deracination, Disembowelling and Scorched Earth Aesthetics: Feminist Cinemas, No Wave and the Punk Avant Garde

Maura Edmond
September 2016
American Extreme
This article discusses cinematic extremes - on-screen sex and violence but also extremes of grain and texture and production cultures - in the work of several women directors closely associated with the undergr...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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