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    • Powell and Pressburger

      Gone to Earth: The Pagan Pastoral in Powell and Pressburger

      Abel Muñoz Hénonin
      May 2017
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
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      Adrift: The Experimenta Program at The Times BFI 51st London Film Festival

      Abel Muñoz Hénonin
      March 2008
      Festival Reports
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    • Dreaming of the Mountains: The 9th Dharamshala International Film Festival

      Sucheta Chakraborty
      January 2021
    • Ghost Cities: The 58th Viennale

      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      A Critic Unbuttons: I Peed On Fellini: Recollections of a Life in Film by David Stratton

      Abel Muñoz Hénonin
      May 2008
      Book Reviews
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
    • Beneath the Tuxedo Elegance: Cary Grant: The Making of a Hollywood Legend, by Mark Glancy

      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
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    • Morgiana

      A Tail and Two Sisters: Morgiana (Juraj Herz, 1972)

      Abel Muñoz Hénonin
      June 2017
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    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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    • Oshima, Nagisa

      Abel Muñoz Hénonin
      April 2004
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Abel Muñoz Hénonin

Abel Muñoz Hénonin

Abel Muñoz Hénonin is editor-in-chief of the Mexican film magazine Icónica, and teaches Film History at the Escuela Superior de Cine, and Methodologies of Research at Universidad Iberoamericana in Mexico. He is a doctoral candidate at the European Graduate School. He co-ordinated, alongside Claudia Curiel de Icaza, two volumes of Reflexiones sobre cine mexicano contemporáneo: Ficción (2012) and Documental (2014). @eltalabel

Fernández, Emilio “Indio”

Abel Muñoz Hénonin
April 2020
Great Directors
b. 26 March 1906, Mineral del Hondo, Coahuila, Mexico d. 6 August 1986, Mexico City Emilio “Indio” Fernández set himself as a goal, perhaps one of the most unlikely film projects ever: to build a nation, Me...

The echo of the Three Amigos

Abel Muñoz Hénonin
October 2019
This is what defined cinema in the 2010s
The three best known Latin-American filmmakers worldwide, Alejandro González Iñárritu, Alfonso Cuarón, and Guillermo del Toro, are the surviving core of the greatest American film tradition, alongside Paul Thom...

The dream of a Mexican film industry

Abel Muñoz Hénonin
December 2018
Latin American Cinema Today: An Unsolved Paradox
Spanish version / Versión en Español. Icónica. By Abel Muñoz Hénonin Translated by Gabriella Munoz In Mexico, cinema is not something that is thought of in terms of present and future. This is a curious ...

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