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      Bringing the World to the Nation: Jia Zhangke and the Legitimation of Chinese Underground Film

      Olivia Khoo
      July 2004
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Lost in Politics: the 3rd Berlin Critics’ Week

      Olivia Khoo
      March 2017
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      Olivia Khoo
      September 2018
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      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
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      Eric Gudas
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      Olivia Khoo
      December 2003
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
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      Cerise Howard
      October 2020
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      Martyn Bamber
      October 2020
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      Olivia Khoo
      July 2003
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      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Olivia Khoo

Olivia Khoo

Olivia Khoo is a Senior Lecturer in Film and Screen Studies at Monash University. She is the author of The Chinese Exotic: Modern Diasporic Femininity (Hong Kong University Press, 2007), and co-author (with Belinda Smaill and Audrey Yue) of Transnational Australian Cinema: Ethics in the Asian Diasporas (Lexington, 2013). From January–April 2015 Olivia was a Visiting Senior Research Fellow at the Asia Research Institute, National University of Singapore.

On the Banning of a Film: Tan Pin Pin’s To Singapore, with Love

Olivia Khoo
September 2015
Documentary in Asia
Publicity image for To Singapore, with Love, taken from Johor Bahru, Malaysia, looking at Singapore from the other side of the straits. Tan Pin Pin’s latest documentary, To Singapore, with Love (2013), open...

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