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      The Swine who Rewrote F. Scott Fitzgerald: Joseph L. Mankiewicz as Producer

      David McCooey & Oscar Bloomfield
      October 2003
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      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      David McCooey & Oscar Bloomfield
      March 2019
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      David McCooey & Oscar Bloomfield
      October 2004
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      Florian Zappe
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      Patrick F. Campos
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      Steve Johnson
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      Ashish Dwivedi
      November 2025
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      David McCooey & Oscar Bloomfield
      January 2022
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      Leeds International Film Festival, 2003

      David McCooey & Oscar Bloomfield
      December 2003
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      David McCooey & Oscar Bloomfield
      January 2022
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
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      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      David McCooey & Oscar Bloomfield
      May 2013
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
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      Ian Olney
      September 2026
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      Kristian Ramsden
      September 2026
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Author David McCooey & Oscar Bloomfield

David McCooey & Oscar Bloomfield

David McCooey is a prize-winning poet, critic, and editor. In addition to his publications on Australian life writing and poetry, he has written on the relationship between poetry and film. He is Professor of Writing and Literature at Deakin University in Geelong. Oscar Bloomfield is a PhD student and casual academic at Deakin University. His research examines how Michelangelo Antonioni's cinema can be experienced within a contemporary moment seemingly defined by loneliness and instability, paying particular attention to how the filmmaker embodies the visceral experiences intrinsic to late-stage capitalism.

Film and the Nonhuman Technology of Photography: Blowup and Godland

David McCooey & Oscar Bloomfield
May 2024
Film and the Nonhuman
Filmmakers have long been fascinated with photography’s ability to thematise the productive, typically resistant, interplay between the human and the nonhuman, where the ‘nonhuman’ can refer to both technology ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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