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      “Me, I Just Film My Life”: An Interview with Jonas Mekas

      Nicole Brenez
      August 2007
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Nicole Brenez
      May 2022
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      Gary M. Kramer
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      Amanda Barbour
      July 2026
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
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      Gary M. Kramer
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      Nicole Brenez
      March 2003
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      Florian Zappe
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      Patrick F. Campos
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      Nicholas Buccheri
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Nicole Brenez
      May 2022
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      Indigo Bailey
      November 2025
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      Colette de Castro
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      May 2025
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      Tony Williams
      May 2025
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      Bleak Optimism: Balkan film at the 45th Thessaloniki International Film Festival

      Nicole Brenez
      February 2005
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      figures traced in light: On Cinematic Staging and The Way Hollywood Tells It: Story and Style in Modern Movies by David Bordwell

      Nicole Brenez
      February 2007
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    • Feeling the Screen Story’s Pulse: Karen Pearlman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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      Dangerous Dreamers: Fantasy, Passion and Psychosis in Heavenly Creatures

      Nicole Brenez
      February 2006
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
    • Kill, Baby… Kill!

      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
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Author Nicole Brenez

Nicole Brenez

Nicole Brenez teaches film studies at Paris 3 University and curates the experimental and avant-garde programs at the Cinémathèque Française. Author of several books, with Philippe Grandrieux she produced the collection It May Be That Beauty Has Strengthened Our Resolve, devoted to revolutionary fimmakers.

Chantal Akerman

Chantal and Some Comrades. Fragments.

Nicole Brenez
December 2015
Chantal Akerman: La Passion de L’Intime / An Intimate Passion
1. Werner’s Gaze, by Chantal In the prospect of writing a text on Chantal, I viewed films she had shot during the 2008 Venice Film Festival, where she was the President of the Jury for the Orizzonti section; s...
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Jeune, dure et pure ! A history of avant-garde and experimental film in France: an introduction

Nicole Brenez and Christian Lebrat
May 2000
Retrospective: Jeune, dure et pure !
These essays are included in the catalogue for Jeune, dure et pure !  Une histoire du cinéma d'avant-garde et expérimental en France, sous la direction de Nicole Brenez et Christian Lebrat, Paris-Milan, Cinémat...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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