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    • Darkness Itself Made Plastic: The Forms and Formlessness of Jacques Rivette’s La Belle Noiseuse

      William Mahan
      June 2018
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
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      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Lakes in Lower Manhattan: The 4th Annual Tribeca Film Festival

      William Mahan
      July 2005
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      Chasing the Runaways: Foreign Film Production and Film Studio Development in Australia 1988-2002 by Nick Herd

      William Mahan
      July 2005
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      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      William Mahan
      March 2012
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
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      Cerise Howard
      October 2020
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      Martyn Bamber
      October 2020
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      William Mahan
      April 2020
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      Jasper Mäkinen
      October 2019
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      July 2019
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      Jeremy Carr
      July 2019
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Author William Mahan

William Mahan

William Mahan is a Ph.D. candidate in the German Department at the University of California, Davis. His current research is focused on humanity’s relationship to ghosts of the past in German and Austrian literature and film from the turn of the 20th Century to the present day, considering societal changes in government and ideology as well as technological progress. He has recently presented essays on “enviromorphism” in Alfred Döblin’s Wang-lun and world visions in Brecht's The Good Person of Sezuan, and has forthcoming articles on Christoph Ransmayr’s Atlas eines ängstlichen Mannes in the Journal of Austrian Studies, and on Holocaust trauma representation in Humanities Journal.

Christian Petzold

Ghosts and their Prices: Surveillance and Image Economies in Christian Petzold’s Cinema

William Mahan
September 2017
Christian Petzold: A Dossier
This essay examines Christian Petzold’s lesser-known, early films of the 90s in their depiction of the German economy’s impact on individuals’ image-perception and then takes up his better-known film Die innere...

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Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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