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    • Criminals Against Decoration: Modernism as a Heist

      Stephen Gaunson
      October 2020
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    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
    • Missing links: exploring traces of Kubrick’s ‘unknown’ early works

      Mick Broderick James Fenwick and Joy McEntee
      October 2020
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    • Image Problems: The 2014 Toronto International Film Festival

      Stephen Gaunson
      December 2014
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    • Dreaming of the Mountains: The 9th Dharamshala International Film Festival

      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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    • Response to Dimitrios Latsis’ review ofFilm, Art, New Media: Museum without Walls

      Stephen Gaunson
      June 2013
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    • Revising a Concept: Cinema Expanded: Avant-Garde Film in the Age of Intermedia, by Jonathan Walley

      Holly Willis
      January 2021
    • When Everything Seemed Possible: London’s Arts Labs and the 60s Avant-Garde by David Curtis

      Wheeler Winston Dixon
      January 2021
    • “Memories Are Made of This”: Juliane Lorenz and Lothar Schirmer’s R.W. Fassbinder: Film Stills, 1966-1982

      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
    • Anarchist Cinema: A Dream of Resistance: The Cinema of Kobayashi Masaki by Stephen Prince

      Karthick Ram Manoharan
      January 2021
    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
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    • Basic Instinct

      Cinema as Sex on Cocaine: Basic Instinct (Paul Verhoeven, 1992)

      Stephen Gaunson
      June 2017
      CTEQ Annotations on Film
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    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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      Stephen Gaunson
      May 2002
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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more articles... more articles... more articles... more articles... more articles...

Author Stephen Gaunson

Stephen Gaunson

Stephen Gaunson is a Senior Lecturer in the School of Media & Communication at RMIT University.

Teddys, Rock ‘n’ Roll and Anita Ekberg: La Dolce Vita

Stephen Gaunson
October 2020
Pop Music in Film
The Italian “Elvis” Adriano Celentano’s performance of the Little Richard song, “Ready Teddy” in La Dolce Vita (Federico Fellini, 1960) is raucous, unrestrained and pure rock. Moments earlier, jaded journalist ...

The Hitch-Hiker (Ida Lupino, 1953)

Stephen Gaunson
October 2018
CTEQ Annotations on Film
The production of The Hitch-Hiker (Ida Lupino, 1953) began with a story written by Robert Joseph, titled “The Persuader”, in which two ex-army buddies on a fishing road trip to Mexico pick up a shadowy male hit...
They Drive By Night

They Drive By Night (Raoul Walsh, 1940)

Stephen Gaunson
September 2017
CTEQ Annotations on Film
“Half social-realist drama about truckers, half women’s genre melodrama about a neurotic rich wife who murders her husband and makes a play for another man”, as Robert Sklar explains, even for a Raoul Walsh mov...

“What sort of spot is Port Arthur?”: For the Term of His Natural Life and the Tasmanian Gothic

Stephen Gaunson
November 2012
Tasmania and the Cinema
… Tasmanian Gothic cinema… tends to be a response to its dark and wet landscapes, which register a paradoxical sense of beauty and menace. The dramatic inclines of Tasmania’s topography, its volatile climate, t...

A Bitter Ending in Bitter Springs (Ralph Smart, 1950)

Stephen Gaunson
September 2012
Key Moments in Australian Cinema
Bitter Springs is a 1950 Ealing Studios production shot around Quorn, South Australia. Financed in part by the South Australian Government, who contributed some of the funding as investment to promote the t...

Marvellous Melbourne: Queen City of the South

Stephen Gaunson
June 2011
Melbourne on Film Dossier
In the days of early film production “scenics” or “gazettes” were seminal in establishing urban film-going as “big business”. Most popular between 1903 and 1912, they coincided with the development of city film...

Cocksucker Blues: The Rolling Stones and Some Notes on Robert Frank

Stephen Gaunson
October 2010
Feature Articles
The recent release of the Stones remastered early seventies album, Exile on Main Street, has occasioned the resurfacing of all manner of detritus from the era. Stephen Gaunson sifts through the intersecting careers of the band and fabled photographer/filmmaker Robert Frank.

The Story of the Kelly Gang (Charles Tait, 1906)

Stephen Gaunson
July 2010
Key Moments in Australian Cinema
From its original duration of 70 minutes, sadly, only 18 minutes of The Story of the Kelly Gang remains. Thankfully though, the final spectacular scene of bushranger Ned Kelly’s capture still exists, albeit in ...

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Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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