Invested in Expression or in Its Destruction?: The Politics of Space and Representation in Chantal Akerman’s Cinema (Issue 64, September 2012) Zain Jamshaid October 2019 Highlights from 20 years of Senses of Cinema Originally published in Senses of Cinema issue 64, September 2012. The objective of this article is to examine the hyperrealist, feminist tactics of Chantal Akerman’s early 1970s films Jeanne Dielman, 23 Qua...
Invested in Expression or in Its Destruction?: The Politics of Space and Representation in Chantal Akerman’s Cinema Zain Jamshaid September 2012 Feature Articles The objective of this article is to examine the hyperrealist, feminist tactics of Chantal Akerman’s early 1970s films Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles(1975) and, especially, Je tu il elle (19...
