Author Christoph Hochhäusler

Christoph Hochhäusler

Christoph Hochhäusler is the director of five feature films including Falscher Bekenner (I am Guilty, 2005), Unter dir die Stadt (The City Below, 2010), and Die Lügen der Sieger (The Lies of the Victors, 2014). He collaborated with Christian Petzold on the German TV-experiment Dreileben consisting of three independent feature length films sharing time, location, and some characters. He is also the co-founder and co-editor of the influential German film magazine Revolver (http://www.revolver-film.com).

“The Protestant Method”

Christoph Hochhäusler

September 2017

Christian Petzold: A Dossier

Christian. A popular name for people of his generation. The competitive ambition to make a name for himself is a defining feature. He has curly hair, black Medusa-snakes for which, as someone who has rather blo...

Alfred Hitchcock and The Fighting Generation

Criminals Against Decoration: Modernism as a Heist

The New-Ark: trying to disavow anti-blackness

Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

Come and See The Painted Bird: A Filmmaker’s Plea

Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

Cinema, Time Regained: The 13th Jeonju International Film Festival

The 34th Cinema Ritrovato Has Full Resuscitation under COVID

Women at the 2020 Toronto International Film Festival

Lest We Forget: the 31st FID Marseille

A Vitalising Cinema in an Agitated Age: The 58th New York Film Festival

Locarno 2020: The Open Doors Experience

Your Daughters Come Back to You: The 28th Pan African Film and Arts Festival

The Big Goodbye: “Chinatown” and the Last Years of Hollywood, by Sam Wasson

War, Community, and the Cinema: Front Lines of Community: Hollywood Between War and Democracy by Hermann Kappelhof and Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

The Perfect Conditional: Philippe Garrel by Michael Leonard

Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan

The Restless Spectator: Anxious Cinephilia: Pleasure and Peril at the Movies, by Sarah Keller

Engaged Vision: Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar

Reagan at the Movies: Make My Day: Movie Culture in the Age of Reagan, by J. Hoberman

Edvard Munch

Stairways to Paradise: Youssef Chahine and Alexandria…Why?

At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

Of East and West and High and Low: Lemonade Joe (1964)

A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

Roeg, Nicolas

Scott, Tony

Menzel, Jiří

Wise, Robert

Fernández, Emilio “Indio”

Fei Mu

Huston, John

“The Protestant Method”