Affectively Trapped, Fossilised and Fetishised: Early 1990s Melbourne through Stillness, Movement and Music in Proof (Jocelyn Moorhouse, 1991) Diana Sandars December 2017 Screening Melbourne In Proof (Jocelyn Moorhouse 1991), the photographs of blind central protagonist, Martin, construct multiple Melbournes. Martin’s compulsive photography is a product of a dysfunctional relationship with his moth...
Don’t Let Them Drag You Down: The Adventures of Priscilla, Queen of the Desert by Philip Brophy Diana Sandars August 2008 Book Reviews The Adventures of Priscilla, Queen of the Desert by Philip Brophy is part of a Currency Press series designed to introduce more audiences to Australian cinema. In the words of the series’ editor, Jane Mills, th...
Garland is to Glamour as Water is to Witches of the West: Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical by Steven Cohan Diana Sandars May 2007 Book Reviews Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical is a beautifully crafted book which seamlessly blends wit, entertainment and academic rigour to produce a work that is as rewarding and stimu...
Pop Fiction: The Song in Cinema edited by Matthew Caley and Steve Lannin Diana Sandars May 2006 Book Reviews The study of sound in film has proven to be an increasingly stimulating and diverse field of academic endeavour. Particularly exciting and invigorating is the work that has been undertaken in the area of the co...
Chocolat Diana Sandars November 2001 CTEQ Annotations on Film Chocolat (1988 France 105mins) Source: NLA/CAC Prod Co: MK2 Diffusion, Cinémanuel, Cerito Films, SEPT, Caroline Productions, TFI Films Prod: Alain Belmondo, Gérard Crosnier Dir: Claire Denis Scr: Denis, ...