Modernist Realism: Redes (Fred Zinnemann and Emilio Gómez Muriel, 1936) Nace Zavrl March 2017 CTEQ Annotations on Film For all its central importance and stature in the history of Golden Age Mexican cinema, Fred Zinnemann and Emilio Gómez Muriel’s Redes (The Wave, 1936) has attracted remarkably little critical or scholarly atte...
A Thesaurus of Gestures: Harun Farocki’s Workers Leaving the Factory (1995) and The Expression of Hands (1997) Nace Zavrl September 2016 CTEQ Annotations on Film Harun Farocki died suddenly in July 2014, but his formidable intellect lives on in a remarkable body of work, as acute and prescient now as ever before. In a ninety-film corpus as prolific as it is heterogeneou...