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      To Be or Not to Be (a Filmmaker)? The VCA Graduate Screenings

      Nace Zavrl
      December 2000
      Feature Articles
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
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    • CPH:DOX 2017

      CPH:DOX 2017

      Nace Zavrl
      June 2017
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      Roger Macy
      October 2020
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      Alexandra Heller-Nicholas
      October 2020
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      Leonardo Goi
      October 2020
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      Jake Pitre
      October 2020
    • Locarno 2020: The Open Doors Experience

      Maria Giovanna Vagenas
      October 2020
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      Bérénice Reynaud
      July 2020
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    • Engaged Vision: Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar

      Nace Zavrl
      July 2020
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    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
    • War, Community, and the Cinema: Front Lines of Community: Hollywood Between War and Democracy by Hermann Kappelhof and Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

      Joshua Sperling
      October 2020
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      Tony McKibbin
      October 2020
    • Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan

      Tony McKibbin
      July 2020
    • The Restless Spectator: Anxious Cinephilia: Pleasure and Peril at the Movies, by Sarah Keller

      Joshua Heaps
      July 2020
    • Reagan at the Movies: Make My Day: Movie Culture in the Age of Reagan, by J. Hoberman

      Nafis Shafizadeh
      July 2020
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    • Prefab Story

      Prefab Story (Věra Chytilová, 1979): Farcical Times at a Prague High-rise

      Nace Zavrl
      June 2018
      CTEQ Annotations on Film
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    • Stairways to Paradise: Youssef Chahine and Alexandria…Why?

      David Melville
      October 2020
    • At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

      Darragh O’Donoghue
      October 2020
    • German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

      Donovan Renn
      October 2020
    • Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
  • Great Directors
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    • Chabrol, Claude

      Nace Zavrl
      October 2002
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      Jeremy Carr
      October 2020
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      Brendan Black
      October 2020
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Nace Zavrl

Nace Zavrl

Nace Zavrl is a graduate student of Contemporary Art Theory at Goldsmiths, University of London, working on issues in film theory, technology, and digitality. Nace writes on film and experimental media for Senses of Cinema, Film Matters, and Ekran, and has recently given public lectures at the Slovenian Cinematheque and the City Museum of Ljubljana. In 2016, he was the recipient of the Masoud Yazdani Award for Excellence in Undergraduate Film Scholarship.

Redes

Modernist Realism: Redes (Fred Zinnemann and Emilio Gómez Muriel, 1936)

Nace Zavrl
March 2017
CTEQ Annotations on Film
For all its central importance and stature in the history of Golden Age Mexican cinema, Fred Zinnemann and Emilio Gómez Muriel’s Redes (The Wave, 1936) has attracted remarkably little critical or scholarly atte...
The Expression of Hands (1997)

A Thesaurus of Gestures: Harun Farocki’s Workers Leaving the Factory (1995) and The Expression of Hands (1997)

Nace Zavrl
September 2016
CTEQ Annotations on Film
Harun Farocki died suddenly in July 2014, but his formidable intellect lives on in a remarkable body of work, as acute and prescient now as ever before. In a ninety-film corpus as prolific as it is heterogeneou...

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Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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