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      Alfred Hitchcock’s Trailers

      Mark Freeman and César Albarrán-Torres
      April 2005
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      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
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      Leonard Schwartz
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      Mark Freeman and César Albarrán-Torres
      May 2024
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      Tùng Bạch Đăng
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      Arindam Sen
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      Botagoz Koilybayeva
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      Mark Freeman and César Albarrán-Torres
      July 2003
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      Patrick F. Campos
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      November 2025
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      Mark Freeman and César Albarrán-Torres
      October 2022
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      38th New York Film Festival Report

      Mark Freeman and César Albarrán-Torres
      November 2000
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Mark Freeman and César Albarrán-Torres
      July 2020
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
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      Ashish Dwivedi
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      Scott Robinson
      May 2026
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      Mark Freeman and César Albarrán-Torres
      February 2007
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      Gregory Bennett
      August 2026
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      Desirae Embree
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      Darragh O’Donoghue
      July 2026
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      Sandra E. Lim
      July 2026
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      Michael Green
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      Sebastian Carrasco
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more articles... more articles... more articles... more articles... more articles...

Author César Albarrán-Torres

César Albarrán-Torres

César Albarrán-Torres is senior lecturer in Media and Communication at Swinburne University of Technology (Melbourne), where he teaches Popular Culture of Asia and Global Screen Studies. He has been widely published in academic and non-academic titles as a film and literary critic, author and translator. He is the author of Global Trafficking Networks in Film and Television: Hollywood's Cartel Wars (Routledge, 2021, upcoming).

Introduction: This is what defined cinema in the 2010s

Mark Freeman and César Albarrán-Torres
October 2019
This is what defined cinema in the 2010s
It would be preposterous to claim that this dossier encapsulates the totality of the stylistic trends, industry moves and authorial voices that dictated the pace of cinema during the past ten years. We have gat...
Mexican Narco Wars

Spectacles of Death: Body Horror, Affect and Visual Culture in the Mexican Narco Wars (Issue 84, September 2017)

César Albarrán-Torres
October 2019
Highlights from 20 years of Senses of Cinema
Originally published in Senses of Cinema issue 84, September 2017. This article offers an overview of the highly mediatized nature of the current phase of the Mexican narco wars, highlighting the existence of ...

The fluids of Roma: necropolitics and class in Cuarón’s cinematic memoir

César Albarrán-Torres
March 2019
Feature Articles
This article argues that some of the strongest visual and symbolic elements that glue Roma together is the use of fluids as metaphors of racial and class division in 1970s Mexico, as well as the site in which t...

Contemporary Chilean cinema: a provisional cartography of an expanding field

Valeria de los Ríos Escobar and César Albarrán-Torres
December 2018
Latin American Cinema Today: An Unsolved Paradox
Spanish version / Versión en Español. Icónica. By Valeria de los Ríos Escobar Translated by César Albarrán-Torres In their 2010 book Novísimo cine chileno, Ascanio Cavallo and Gonzalo Maza coined the ter...

Living forever in The Sweet Hereafter: film spectatorship and personal memory

César Albarrán-Torres
June 2018
Stardust Memories: Cinephilia and Nostalgia
People often ask me what my favourite movie is. For a cinephile, a simple answer verges on the impossible. Ozu’s Tôkyô monogatari (Tokyo Story, Yasujirô Ozu, 1953)? Chaplin’s premonitory Modern Times (Charles C...
Mexican Narco Wars

Spectacles of Death: Body Horror, Affect and Visual Culture in the Mexican Narco Wars

César Albarrán-Torres
September 2017
Feature Articles
This article offers an overview of the highly mediatized nature of the current phase of the Mexican narco wars, highlighting the existence of explicit videos released online by the cartels, which show execution...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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