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    • Strange Tides: The Mysteries of Lisbon

      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      December 2011
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
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      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      January 2023
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      Tara Judah
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      Maria Giovanna Vagenas
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Hamed Sarrafi
      January 2023
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      Tara Judah
      January 2023
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      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      December 2002
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
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      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
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      Jacob Agius
      October 2022
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      Joy McEntee
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      Mark Lager
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      Jessica Balanzategui
      January 2022
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      Lost in Politics: the 3rd Berlin Critics’ Week

      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      March 2017
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      January 2023
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      Marc Raymond
      January 2023
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      Glenn D'Cruz
      January 2023
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      Kohei Usuda
      January 2023
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      Tara Judah
      January 2023
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      Neil Young
      January 2023
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      Sceptical Oscillations: Abbas Kiarostami and Film-Philosophy, by Matthew Abbott

      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      September 2017
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      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
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      Pujita Guha
      January 2023
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      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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      Triple Agent (Éric Rohmer, 2004)

      Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
      March 2017
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    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
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Author Francisco Huichaqueo

Francisco Huichaqueo

Francisco Huichaqueo explores the social landscape, the history, culture and world view of his people, reinventing institutional, cultural and spiritual codes. His work revolves around themes that relate to his Mapuche heritage, and it’s developed in formats like video installation, documentary films and film essays. He is also focused on the dialogue with other nations. His audiovisual and curatorial work has been exhibited in international festivals of indigenous cinema like ImagiNative in Toronto, Canada, the Festival of Latin Cinema in Toulouse and in museums like the Museo Arqueológico and the Museo de Bellas Artes of Santiago, Chile and the National Museum of the American Indian in the USA. He also has residences in cinema and art in Taiwan, France and Mexico. David is also a professor at the Universidad de Concepción, where he is also curator of art and of First Nations’ cinema.

Healing through curation: a conversation between three indigenous image curators in the Abya Yala movement

Amalia Córdova, David Hernández Palmar, Francisco Huichaqueo and Mauricio Rivera
December 2018
Latin American Cinema Today: An Unsolved Paradox
Spanish version / Versión en Español. Icónica. A conversation between Amalia Córdova (writing from Piscataway territory), David Hernández Palmar (Wayuu territory) and Francisco Huichaqueo (Wallmapu territory...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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