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      Interview: Johnnie To and Wai Ka-fai

      Isabella McNeill
      December 2001
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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    • The Unbearable Object of Liminality: A Conversation with Zheng Lu Xinyuan

      Isabella McNeill
      July 2020
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
      January 2023
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      Toby Wu
      January 2023
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Hamed Sarrafi
      January 2023
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      Isabella McNeill
      March 2003
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
      January 2023
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Isabella McNeill
      January 2022
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
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    • Thin Air, Long Lines: 45th Telluride Film Festival

      Isabella McNeill
      December 2018
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      Leonardo Goi
      January 2023
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      Glenn D'Cruz
      January 2023
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      Kohei Usuda
      January 2023
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      Marc Raymond
      January 2023
    • Small but Mighty, the Power of the Donkey: Adelaide International Film Festival

      Saige Walton
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
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      WR: Mysteries of the Organism by Raymond Durgnat

      Isabella McNeill
      December 2000
      Book Reviews
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
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      Letter from an Unknown Woman

      Isabella McNeill
      May 2006
      CTEQ Annotations on Film
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    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
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Author Isabella McNeill

Isabella McNeill

Isabella McNeill is a Melbourne based film critic and PhD candidate in Film and Screen Studies at Monash University, where her research focuses on millennial television and television criticism in a contemporary framework. Her writing has been published by Little White Lies, Peephole Journal, and the Melbourne International Film Festival.

An Angel at my table

An Angel at My Table (Jane Campion, 1990)

Isabella McNeill
September 2017
CTEQ Annotations on Film
Tackling the often-troublesome act of linking ‘the artist’ with unstable mental health is not a unique notion in art or life, but Jane Campion’s An Angel at My Table tries to discern the ‘madness’ from the arti...
Nadia Tass interview

“Film is the Art Form of Today”: An Interview with Nadia Tass

Isabella McNeill
July 2017
Pioneering Australian Women
There are only a handful of filmmakers in Australia whose careers share the longevity of director Nadia Tass. In collaboration with her writer-producer husband, David Parker, Tass has produced some of Australia...
The Marriage Circle

Nuanced Complexity: The Marriage Circle (Ernst Lubitsch, 1924) and the Early Days of the ‘Lubitsch Touch’

Isabella McNeill
June 2017
CTEQ Annotations on Film
Known for his skilful adaptations of pre-existing novellas and plays (Trouble in Paradise (1932), Ninotchka (1933), The Shop Around the Corner (1940)), Ernst Lubitsch has always been celebrated more for his inv...
Rachel Perkins interview

“Empathy is Always a Much-Needed Quality”: An Interview with Filmmaker/Educator Rachel Perkins

Isabella McNeill
March 2017
Movements: Filmmaker Interviews
Born in Canberra in 1970, Australian filmmaker Rachel Perkins grew up in the beating heart of Australia’s Indigenous civil rights movement, an experience amplified by the role of her prominent Indigenous activi...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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Editors:

César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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