Whilst looking at the long and illustrious history of Technicolor films, Murray Pomerance uncovers the remarkable uses Michelangelo Antonioni put the Technicolor process through in his 1964 Red Desert and beyond.
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Murray Pomerance
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Murray Pomerance is Professor in the Department of Sociology at Ryerson University and the author of The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory, Johnny Depp Starts Here and An Eye for Hitchcock and editor or co-editor of more than a dozen anthologies. A forthcoming book, Michelangelo Red Antonioni Blue (University of California Press) will appear in 2010.
Articles by Murray Pomerance:
Pomerance looks at one of Australian-born John Farrow’s least-known films, the 1953 Botany Bay, through the prism of Hollywood’s representation of the “land down-under”.
