Author David Evan Richard

Making sense of Peter Strickland’s lushly realised In Fabric (2018) is a peculiarly challenging task, one that not necessarily uses the brain, but rather relies on the eye, the ear, and the skin. The film is sp...

Hélène Cattet and Bruno Forzani explain that their modus operandi is to tell stories “in a sensual, physical way,” ensuring that they are enjoyed “as an experience” by its spectator. Rather than being concerned...

Glossing Jane Campion’s narrative, thematic, and aesthetic interests, Kathleen McHugh writes that in “crafting visual stories drawn from genres that are especially attentive to women’s bodies, to their agency, ...