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    • Orson Welles – Painter

      Laleen Jayamanne
      December 2009
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      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
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      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Inner Turbulence: The 4th New York Korean Film Festival

      Laleen Jayamanne
      October 2004
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      Cinema and Sensation: French Film and the Art of Transgression by Martine Beugnet

      Laleen Jayamanne
      April 2009
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      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
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      Daniel Fairfax
      October 2020
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      Laleen Jayamanne
      June 2014
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
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      Cerise Howard
      October 2020
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      Martyn Bamber
      October 2020
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      Laleen Jayamanne
      December 2012
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      Abel Muñoz Hénonin
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Laleen Jayamanne

Laleen Jayamanne

Laleen Jayamanne taught Cinema Studies in the Dept. of Art History and Film, University of Sydney from 1990-2013. Director, A Song of Ceylon (16mm film, Australian Film Commission, 1985). Author of Towards Cinema and Its Double; Cross-Cultural Mimesis (Indiana University Press, 2001) and The Epic Cinema of Kumar Shahani, (Indiana University Press, 2015).

Segregation and Film Pedagogy: Aboriginal Kids Nullah and Dujuan

Laleen Jayamanne
October 2020
Feature Articles
“…I am dispended”, says Dujuan Hoosan, the Arrente/Garrwa little Aboriginal boy at the centre of the documentary, In My Blood it Runs (2020). “… suspended”, corrects his mother. But “dispended” like “Desperance...

Story of Home: The Paternal Legacy of Black Panther

Laleen Jayamanne
October 2018
Feature Articles
We hear the voices of a father and a son talking to each other over a black screen (accompanied by soft string music), in the very opening moments of Ryan Coogler’s Black Panther (2018, Marvel Studios). But we ...
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The Ornamentation of Nicole Kidman (Eyes Wide Shut) and Mita Vashisht (Kasba): a Sketch

Laleen Jayamanne
December 2002
The Female Actor
Jayamanne argues that, drawing on traditions of painting and eliciting a brand of performance, Kubrick and Shahani mobilise ornamentation to create femininity as a metamorphic force.
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Mother India by Gayatri Chatterjee

Laleen Jayamanne
December 2002
Book Reviews
(London: British Film Institute, 2002) Gayatri Chatterjee's book on the Indian epic film Mother India (Mehboob Khan, 1957) is one of a series of books that the British Film Institute has commissioned on the ...
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Va Savoir! (Who Knows!, 2001, Jacques Rivette)

Laleen Jayamanne
May 2002
Feature Articles
Six characters in search of (variously) a lost play, a stolen ring, has-been and would-be lovers and who knows what, finally converge on a stage set for Pirandello's play, As you desire me. Such a mix of ob...

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