• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • Interrogating Identity: The Fractal Self in Le petit soldat

      David Sterritt and Mikita Brottman
      July 2022
      Feature Articles
    Recent
    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • This Body Keeps the Score: the films of Saidin Salkic

      Dirk de Bruyn
      January 2023
  • Interviews
    Random
    • Do you feel lonely standing here? A conversation with Na Jiazuo

      David Sterritt and Mikita Brottman
      January 2022
      Interviews
    Recent
    • Afterwater: A Conversation with Dane Komljen

      Maria Giovanna Vagenas
      March 2023
    • Splice Here A Projected Odyssey: An Interview with Rob Murphy

      Tara Judah
      January 2023
    • Piaffe: Interview with Ann Oren

      Maria Giovanna Vagenas
      January 2023
    • Flesh Memories: Yeo Siew Hua’s Expanded Cinema in The Once and Future

      Toby Wu
      January 2023
    • In Search of Lost Time: An Interview with Christophe Honoré

      David A. Gerstner
      January 2023
    • Slow Fireworks: The Films of Amy Halpern

      Arindam Sen
      January 2023
  • Great Directors
    Random
    • Chambers, Jack

      David Sterritt and Mikita Brottman
      May 2002
      Great Directors
    Recent
    • Fosse, Bob

      Sherry Johnson
      January 2023
    • Cimino, Michael

      Giampiero Frasca
      January 2023
    • Sorrentino, Paolo

      Jeremy Carr
      October 2022
    • Craven, Wes

      Hal Young
      October 2022
    • Dwoskin, Stephen

      Sara Delshad
      October 2022
    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022
  • Great Actors
    Random
    • Caine, Michael

      David Sterritt and Mikita Brottman
      May 2022
      Great Actors
    Recent
    • Divine

      Jacob Agius
      October 2022
    • Lansbury, Angela

      Joy McEntee
      May 2022
    • Garbo, Greta

      Jeremy Carr
      May 2022
    • Magee, Patrick

      Mark Lager
      May 2022
    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
    Random
    • Towards New Horizons: The 74th Locarno Film Festival

      David Sterritt and Mikita Brottman
      October 2021
      Festival Reports
    Recent
    • Fire Within: The 60th Viennale

      Leonardo Goi
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • The Kids Aren’t Alright: The 27th Busan International Film Festival

      Marc Raymond
      January 2023
    • A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes)

      Glenn D'Cruz
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
  • Book Reviews
    Random
    • Evaluating Ecocinema: Green Documentary: Environmental Documentary in the Twenty-First Century, by Helen Hughes

      David Sterritt and Mikita Brottman
      September 2014
      Book Reviews
    Recent
    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
  • CTEQ
    Random
    • The Crowd

      The Crowd

      David Sterritt and Mikita Brottman
      August 2013
      CTEQ Annotations on Film
    Recent
    • Days (Tsai Ming-liang, 2020)

      Jacob Agius
      May 2023
    • Afflictions of Pain and Desire: The River (Tsai Ming-liang, 1997)

      Alex Williams
      May 2023
    • The Wayward Cloud (Tsai Ming-liang, 2005)

      Amelia Leonard
      May 2023
    • Goodbye, Dragon Inn (Tsai Ming-liang, 2003)

      Andrew Le
      May 2023
    • The Skywalk is Gone (Tsai Ming-liang, 2002)

      Digby Houghton
      May 2023
    • What Time is it There? (Tsai Ming-liang, 2001)

      Jessica Balanzategui
      May 2023
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author David Sterritt

David Sterritt

David Sterritt is a New York-based critic, film professor, and author/editor of several film-related books.

article placeholder

A Reflection

David Sterritt and Mikita Brottman
November 2001
Terror, Disaster, Cinema and Reality - A Symposium
One need not be a psychologist or a semiotician to recognize that the destruction of the World Trade Center's arrogant Twin Towers was a symbolic castration, annihilating the world's most widely known symbol of...
article placeholder

Report on the 4th Bermuda International Film Festival

David Sterritt
June 2001
Festival Reports
(April 20-26 2001) www.bermudafilmfest.com Quite apart from the movies it presented, the 4th annual Bermuda International Film Festival had one attraction no other such event can offer: Bermuda itself...
article placeholder

Thanatos ex Machina: Godard Caresses the Dead

David Sterritt
June 2001
Jean-Luc Godard - Pt 1
The Godardian entanglement of desire, cars, death and narrative, especially in Contempt.
Abbas Kiarostami

Taste of Kiarostami

David Sterritt
September 2000
The Wind Will Carry Him: Abbas Kiarostami Remembered
The fact that Kiarostami likes The Godfather is not the only interesting thing we learn from this revealing interview.
article placeholder

Renaldo & Clara Meet John Cage: Aleatory Cinema and the Aesthetics of Incompetence

David Sterritt
April 2000
Society for Cinema Studies Conference 2000
This paper was presented at the Society for Cinema Studies Conference 2000 at the Congress Plaza Hotel, Chicago on March 11, 2000, as part of the panel I2: Giving Hollywood the Slip(page): The Carnivalesque...
article placeholder

Permanent Ghosts: Cinephilia in the Age of the Internet and Video – Essay 3

David Sterritt
March 2000
Cinephilia Special Feature
"Cinephilia" has become a surprisingly common term, spanning the generation range from Susan Sontag to Steve Erickson, and while I have no objections to it, I'm not sure it captures my own relationship to the w...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

Contributing Partner

Donate to Senses

 

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff