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      Teen Schizophrenia: Donnie Darko

      Tim O’Farrell
      July 2002
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      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Tim O’Farrell
      March 2023
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Tim O’Farrell
      October 2004
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      Florian Zappe
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      Patrick F. Campos
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      January 2026
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      Ashish Dwivedi
      November 2025
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      Tim O’Farrell
      May 2025
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      Tony Williams
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      Mark Lager
      November 2024
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      Tim O’Farrell
      September 2009
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Generalising from the Particular: Masculine Singular: French New Wave Cinema” by Geneviève Sellier and “Making Waves: New Cinemas of the 1960s” by Geoffrey Nowell-Smith

      Tim O’Farrell
      July 2009
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
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      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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      Tim O’Farrell
      July 2020
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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      Darragh O’Donoghue
      September 2026
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      Kyle Sossamon
      September 2026
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      Ian Olney
      September 2026
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      Kristian Ramsden
      September 2026
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Author Tim O’Farrell

Tim O’Farrell

Tim O’Farrell teaches cinema at the Victorian College of the Arts, programmes films for the Melbourne International Film Festival, has a PhD in Cinema Studies from La Trobe University and works as a lawyer.

slums on screen

Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić

Tim O’Farrell
March 2018
Book Reviews
Most academic literature on cinema uses familiar framing mechanisms such as author studies, national cinema or genre lenses. A less typical organising principle animates Igor Krstić’s book: the representation o...
Eva Orner interview

“Everything about this film was tricky”: An interview with documentary filmmaker Eva Orner on Chasing Asylum

Tim O’Farrell
July 2016
Feature Articles
Eva Orner is an Australian filmmaker now based primarily in Los Angeles, who began her career working in Australian television in the 1990s. She moved to New York in 2005 and soon after began working as produce...
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Abel Ferrara gets real: Chelsea on the Rocks, Napoli, Napoli, Napoli and Mulberry St.

Tim O’Farrell
March 2016
Mono No Aware: The Films of Abel Ferrara, 2005-2015
After a decade plagued by financing imbroglios and enervating battles with financiers, producers and distributors, the period between 2008 and 2010 saw a turn to the real in Abel Ferrara’s oeuvre as he directed...
Albert Maysles Celebrity Portrait Films

Then and Now: Re-visiting Albert Maysles’ Early Celebrity Portrait Films

Tim O’Farrell
June 2015
Feature Articles
The recent death of Albert Maysles set me reminiscing. I visited him at his spacious midtown Manhattan 54th Street offices in March 2005 while completing my PhD thesis, which examined a series of direct cinema ...

Los Angeles Plays Itself: Paul Thomas Anderson’s Inherent Vice

Tim O’Farrell
March 2015
Feature Articles
With Paul Thomas Anderson’s auteur standing complementing Thomas Pynchon’s literary eminence and pop culture savvy, Inherent Vice (2014) promises to be a cinephile’s dream. Set against the backdrop of the Nixon...
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No Direction Home: Looking Forward from Don’t Look Back

Tim O’Farrell
February 2006
On Movies, Musicians and Soundtracks
Given that much of this Bob Dylan documentary sources its material from the archives of the Direct Cinema movement of the 1960s, this article addresses the historical reframing of such footage for contemporary use.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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