Re-framing the city: Slums on Screen: World Cinema and the Planet of Slums, by Igor Krstić Tim O’Farrell March 2018 Book Reviews Most academic literature on cinema uses familiar framing mechanisms such as author studies, national cinema or genre lenses. A less typical organising principle animates Igor Krstić’s book: the representation o...
“Everything about this film was tricky”: An interview with documentary filmmaker Eva Orner on Chasing Asylum Tim O’Farrell July 2016 Feature Articles Eva Orner is an Australian filmmaker now based primarily in Los Angeles, who began her career working in Australian television in the 1990s. She moved to New York in 2005 and soon after began working as produce...
Abel Ferrara gets real: Chelsea on the Rocks, Napoli, Napoli, Napoli and Mulberry St. Tim O’Farrell March 2016 Mono No Aware: The Films of Abel Ferrara, 2005-2015 After a decade plagued by financing imbroglios and enervating battles with financiers, producers and distributors, the period between 2008 and 2010 saw a turn to the real in Abel Ferrara’s oeuvre as he directed...
Then and Now: Re-visiting Albert Maysles’ Early Celebrity Portrait Films Tim O’Farrell June 2015 Feature Articles The recent death of Albert Maysles set me reminiscing. I visited him at his spacious midtown Manhattan 54th Street offices in March 2005 while completing my PhD thesis, which examined a series of direct cinema ...
Los Angeles Plays Itself: Paul Thomas Anderson’s Inherent Vice Tim O’Farrell March 2015 Feature Articles With Paul Thomas Anderson’s auteur standing complementing Thomas Pynchon’s literary eminence and pop culture savvy, Inherent Vice (2014) promises to be a cinephile’s dream. Set against the backdrop of the Nixon...
No Direction Home: Looking Forward from Don’t Look Back Tim O’Farrell February 2006 On Movies, Musicians and Soundtracks Given that much of this Bob Dylan documentary sources its material from the archives of the Direct Cinema movement of the 1960s, this article addresses the historical reframing of such footage for contemporary use.