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      Annotations from the Edge of an Abyss: Rogério Sganzerla’s Anthropophagic Film Collages

      Aaron Cutler
      April 2004
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      July 2026
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      Colette de Castro
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      Salvador Carrasco
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      Pritish Das
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      Leonard Schwartz
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      Aaron Cutler
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      Aaron Cutler
      July 2002
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      Florian Zappe
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      Patrick F. Campos
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      Ashish Dwivedi
      November 2025
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      Aaron Cutler
      November 2025
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      Aaron Cutler
      March 2014
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      Marc Raymond
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      Stefan Solomon
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      Botagoz Koilybayeva
      May 2026
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      Aaron Cutler
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      Mark Seton
      July 2026
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      Wheeler Winston Dixon
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      Ashish Dwivedi
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      Scott Robinson
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      Aaron Cutler
      October 2020
      CTEQ Annotations on Film
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      Gregory Bennett
      August 2026
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      Sandra E. Lim
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      Michael Green
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      Sebastian Carrasco
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Author Aaron Cutler

Aaron Cutler

Film programmer and critic Aaron Cutler was born in Philadelphia and has lived in São Paulo since the end of 2010. He co-founded the initiative Mutual Films together with Mariana Shellard and keeps a blog called The Moviegoer. He dedicates his text to the memories of Bruce Baillie, Sarah Maldoror and Nobuhiko Obayashi – each of whom believed clearly and firmly in cinema as a social experience – and to the filmmakers and their collaborators that continue to fight to screen films in theatres.

Two Letters from São Paulo

Aaron Cutler
May 2021
What Will Become of Cinema? Postcards for the Future
1st October, 2020 Dear Cecilia, Marcelo, Pablo and colleagues, I hope that you are all doing all right. Your invitation to send a reflection on the future of cinema got me thinking about how hard it of...
Getting to Know the Big Wide World film review

Earth and Sunlight: Kira Muratova’s Getting to Know the Big Wide World (1978)

Aaron Cutler
June 2015
CTEQ Annotations on Film
“What an immense joy this is. We’re building a huge factory. We’re building a huge city. Houses can be big, houses can be small, but it doesn’t really matter. The most important thing in the world is a happines...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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