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      Steven Ball
      September 2013
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      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
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      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Leonardo Goi
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      Stuart Richards
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      March 2011
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      Holly Willis
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      January 2021
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      Daniel Fairfax
      October 2020
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
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      Cerise Howard
      October 2020
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      Abel Muñoz Hénonin
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Steven Ball

Steven Ball

Steven Ball is an artist working across audio-visual media and performance. He is Research Fellow at Central Saint Martins in London, where he was instrumental in developing the British Artists’ Film and Video Study Collection

Post-Colonial Film Avant-Garde

Beyond the Cringe: Australia, Britain, and the Post-Colonial Film Avant-Garde

Steven Ball
March 2016
Contemporary British Experimental Film & Video
For some decades there has been two-way traffic between the avant-garde film worlds of Australia and the UK. Australian artists arrive from a local scene that continues to resonate with the influences of an ava...

D’Est: Spectres of Communism

Steven Ball
May 2013
CTEQ Annotations on Film
In Ken McMullen’s 1983 film Ghost Dance, Jacques Derrida, improvising the role of a professor, is asked by Pascale Ogier, improvising the role of a student, whether he believes in ghosts. Derrida answers: That...

Turning and Unfolding: Personal Reflections on Cantrills Filmnotes

Steven Ball
October 2010
Arthur and Corinne Cantrill Dossier
The trouble with archives is their lack of completeness. The mal d’archive, the archive fever that troubled Freud as explicated by Derrida (1), is in part the anxiety of the imperative of completeness, the need...
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Material Damage: The Films of Dirk de Bruyn

Steven Ball
July 2005
CTEQ Annotations on Film
1. Material The low grain of the sound of Dirk de Bruyn's voice weaves through many of the films he made in the 1990s. Mike Hoolboom characterises this voice as providing an “inner monologue and conscience”,...
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Spinning Straw into Gold: Four Works by Jürgen Reble in the New Medium of Film

Steven Ball
July 2004
CTEQ Annotations on Film
Rumpelstilzchen (1989 Germany 15 mins) Source: Light Cone Filmmaker: Jürgen Reble Zillertal (1991 Germany 11 mins) Source: Light Cone Filmmaker: Jürgen Reble Das Goldene Tor/The Golden Gate (1992 Ge...

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