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    • In Memoriam: Sarah Maldoror (July 19, 1929–April 13, 2020)

      Bruce Bennett - Leon Gurevitch - Bruce Isaacs
      July 2020
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
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      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Bruce Bennett - Leon Gurevitch - Bruce Isaacs
      February 2018
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      Roger Macy
      October 2020
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      Alexandra Heller-Nicholas
      October 2020
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      Leonardo Goi
      October 2020
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      Jake Pitre
      October 2020
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      Maria Giovanna Vagenas
      October 2020
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      Bérénice Reynaud
      July 2020
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      Traumatic Encounters in Italian Film: Locating the Cinematic Unconscious by Fabio Vighi

      Bruce Bennett - Leon Gurevitch - Bruce Isaacs
      May 2007
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    • Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

      Daniel Fairfax
      October 2020
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      Joshua Sperling
      October 2020
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      Tony McKibbin
      October 2020
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      Tony McKibbin
      July 2020
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      Joshua Heaps
      July 2020
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      Ivan Cerecina
      July 2020
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      Bruce Bennett - Leon Gurevitch - Bruce Isaacs
      July 2003
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
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      Cerise Howard
      October 2020
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      Martyn Bamber
      October 2020
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      Bruce Bennett - Leon Gurevitch - Bruce Isaacs
      November 2006
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      Jeremy Carr
      October 2020
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      Brendan Black
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Bruce Bennett - Leon Gurevitch - Bruce Isaacs

Bruce Bennett - Leon Gurevitch - Bruce Isaacs

Bruce Bennett is Senior Lecturer in Film Studies and Postgraduate Director of the Lancaster Institute for the Contemporary Arts at Lancaster University, UK. He is co-editor of the collection Cinema and Technology: Theories, Cultures, Practices (Palgrave Macmillan, 2008), and author of the monograph, The Cinema of Michael Winterbottom: Borders Intimacy, Terror (Columbia, 2014). Leon Gurevitch is Deputy Head of School, Royal Society Research Scholar and Senior Lecturer at Victoria University of Wellington’s School of Design. Leon is an Associate Editor of Animation journal and has published his work, amongst others, in The Journal of Television and New Media (2010), Continuum Journal (2015), The Journal of the Royal Society New Zealand (2015), Senses of Cinema (2011), Convergence Journal (2014, 2013) and The Journal of Popular Narrative Media (2009). Bruce Isaacs is Senior Lecturer in Film Studies at the University of Sydney. He has published work on film history and theory, with a particular interest in the deployment of aesthetic systems in classical and post-classical American cinema. He is the author of the monographs Toward a New Film Aesthetic (Continuum, 2008) and The Orientation of Future Cinema: Technology, Aesthetics, Spectacle (Bloomsbury, 2013).

Cinema of Michael Bay

The Cinema of Michael Bay: Technology, Transformation, and Spectacle in the ‘Post-Cinematic’ Era

Bruce Bennett - Leon Gurevitch - Bruce Isaacs
June 2015
Michael Bay Dossier
Special Dossier edited by Bruce Bennett, Leon Gurevitch and Bruce Isaacs Michael Bay occupies a curious place in contemporary culture. The films he has directed, including the Transformers franchise (2007-2014...

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

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Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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