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    • Under the Skin

      Sounding Loneliness in Under the Skin

      Fergus Daly and Katherine Waugh
      March 2016
      Feature Articles
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    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • This Body Keeps the Score: the films of Saidin Salkic

      Dirk de Bruyn
      January 2023
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    • A Joyride through Technological Change: Interview with David Cox

      Fergus Daly and Katherine Waugh
      January 2022
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
      January 2023
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      Toby Wu
      January 2023
    • In Search of Lost Time: An Interview with Christophe Honoré

      David A. Gerstner
      January 2023
    • Slow Fireworks: The Films of Amy Halpern

      Arindam Sen
      January 2023
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      Hamed Sarrafi
      January 2023
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      Ophuls, Max

      Fergus Daly and Katherine Waugh
      December 2017
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      Sherry Johnson
      January 2023
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      Giampiero Frasca
      January 2023
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      Jeremy Carr
      October 2022
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      Hal Young
      October 2022
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Fergus Daly and Katherine Waugh
      May 2022
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      Jacob Agius
      October 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      Mark Lager
      May 2022
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      Jessica Balanzategui
      January 2022
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      Shades of Globalisation: The 24th Sundance Film Festival

      Fergus Daly and Katherine Waugh
      April 2005
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      Leonardo Goi
      January 2023
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      Marc Raymond
      January 2023
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      Glenn D'Cruz
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
    • BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival

      Neil Young
      January 2023
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    • Representing Identity: Finding Ourselves at the Movies: Philosophy for A New Generation, by Paul W. Kahn

      Fergus Daly and Katherine Waugh
      June 2014
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
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    • The Past, Present and Future of Toomelah (Ivan Sen, 2011)

      Fergus Daly and Katherine Waugh
      October 2019
      CTEQ Annotations on Film
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    • Pickpocket (Robert Bresson, 1959)

      Emma Fajgenbaum
      March 2023
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
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more articles... more articles... more articles... more articles... more articles...

Author Fergus Daly

Fergus Daly

Fergus Daly is the director of Experimental Conversations (2006).

Ivan's Childhood

1962: Ivan’s Childhood (Andrei Tarkovsky)

Fergus Daly and Katherine Waugh
December 2017
100 Years of Soviet Cinema
Ivan's Childhood (1962 USSR 97mins) Source: Film Alliance Prod Co: Mosfilm Dir: Andrei Tarkovsky Scr: Vladimir Bogomolov, Michael Papava from the story by Bogomolov Phot: Vadim Yusov Art Dir: V. Chernyaev Mu...
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Deval in ’68: An Interview with Patrick Deval

Fergus Daly and Maximilian Le Cain
August 2008
Before the Revolution
The director of Acéphale and Héraclite l’obscur looks back on the people, films and events that have shaped his work and thoughts.
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Spirits in the Night – A Reply to Adrian Martin on Garrel’s L’Enfant secret

Fergus Daly
September 2001
French Cinema Present and Past
A continuing, poetic dialogue on a 'sacred' film and a reflection on film criticism and cinephilia.
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Ivan’s Childhood

Fergus Daly and Katherine Waugh
July 2001
CTEQ Annotations on Film
Ivan's Childhood (1962 USSR 97mins) Source: Film Alliance Prod Co: Mosfilm Dir: Andrei Tarkovsky Scr: Vladimir Bogomolov, Michael Papava from the story by Bogomolov Phot: Vadim Yusov Art Dir: V. Chernyae...
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A Beautiful Exception: Godard’s For Ever Mozart

Fergus Daly
June 2001
Jean-Luc Godard - Pt 1
An exceptional re-evaluation of this dismissed Godard film.
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On Four Prosaic Formulas which Might Summarize Hou’s Poetics

Fergus Daly
February 2001
Contemporary Asian Cinema
A solid and fascinating account of the ideas at play in Hou's cinema, and their relation to Mizoguchi.
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Immanence and Transcendence in the Cinema of Nature

Fergus Daly
December 2000
Philosophy, Criticism & Film
An intriguing discussion of films that philosophise the human-nature relation.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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