• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • article placeholder

      A Film Culture Forum

      James Slaymaker
      July 2002
      Feature Articles
    Recent
    • When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: The Other Bank, Tangerines, and Corn Island

      Khatuna Maisashvili
      January 2023
    • Values of Baz Luhrmann’s Elvis: A Carnival Ride

      Laleen Jayamanne
      January 2023
    • Fellini’s Memory: Amarcord

      Bruce Jackson
      January 2023
    • More than Mimicry: On Puppets and Interdependency in Annette and The Double Life of Véronique

      Indigo Bailey
      January 2023
    • After Structural Film: The Conceptual films of Morgan Fisher

      Arindam Sen
      January 2023
    • This Body Keeps the Score: the films of Saidin Salkic

      Dirk de Bruyn
      January 2023
  • Interviews
    Random
    • Ghost Town Anthology: An Interview with Denis Côté

      James Slaymaker
      July 2020
      Interviews
    Recent
    • Splice Here A Projected Odyssey: An Interview with Rob Murphy

      Tara Judah
      January 2023
    • Piaffe: Interview with Ann Oren

      Maria Giovanna Vagenas
      January 2023
    • Flesh Memories: Yeo Siew Hua’s Expanded Cinema in The Once and Future

      Toby Wu
      January 2023
    • About Time: Interview with Cyril Schäublin

      Hamed Sarrafi
      January 2023
    • In Search of Lost Time: An Interview with Christophe Honoré

      David A. Gerstner
      January 2023
    • Slow Fireworks: The Films of Amy Halpern

      Arindam Sen
      January 2023
  • Great Directors
    Random
    • Aldrich, Robert

      James Slaymaker
      May 2002
      Great Directors
    Recent
    • Fosse, Bob

      Sherry Johnson
      January 2023
    • Cimino, Michael

      Giampiero Frasca
      January 2023
    • Sorrentino, Paolo

      Jeremy Carr
      October 2022
    • Craven, Wes

      Hal Young
      October 2022
    • Dwoskin, Stephen

      Sara Delshad
      October 2022
    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022
  • Great Actors
    Random
    • Magee, Patrick

      James Slaymaker
      May 2022
      Great Actors
    Recent
    • Divine

      Jacob Agius
      October 2022
    • Lansbury, Angela

      Joy McEntee
      May 2022
    • Caine, Michael

      Wheeler Winston Dixon
      May 2022
    • Garbo, Greta

      Jeremy Carr
      May 2022
    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
    Random
    • article placeholder

      The 14th Singapore International Film Festival - A Postscript

      James Slaymaker
      November 2001
      Festival Reports
    Recent
    • Fire Within: The 60th Viennale

      Leonardo Goi
      January 2023
    • A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes)

      Glenn D'Cruz
      January 2023
    • Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival

      Kohei Usuda
      January 2023
    • The Kids Aren’t Alright: The 27th Busan International Film Festival

      Marc Raymond
      January 2023
    • Small but Mighty, the Power of the Donkey: Adelaide International Film Festival

      Saige Walton
      January 2023
    • All the Pain and Exploitation: 66th London Film Festival

      Tara Judah
      January 2023
  • Book Reviews
    Random
    • The Restless Spectator: Anxious Cinephilia: Pleasure and Peril at the Movies, by Sarah Keller

      James Slaymaker
      July 2020
      Book Reviews
    Recent
    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
    • Dennis Lim’s Tale of Cinema: A Meta-Monograph

      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022
    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022
  • CTEQ
    Random
    • article placeholder

      Volcano High

      James Slaymaker
      April 2005
      CTEQ Annotations on Film
    Recent
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author James Slaymaker

James Slaymaker

James Slaymaker is a freelance critic and filmmaker from Dorset, UK. He has written for a number of online and print film publications such as MUBI Notebook, Film international, Bright Lights Film Journal, Little White Lies, Vague Visages, Alternate Takes, Popmatters, The Vulgar Cinema, Mcsweeney’s.net and Sound on Sight. He’s also a contributor to the book Hard to Get: The Films and Female Characters of Howard Hawks. He is the the author of the upcoming books Time is Luck: The Life and Cinema of Michael Mann (2019) and No Comment: Jean-Luc Godard and Post-Cinema (2021).

Cinema Never Dies: Abbas Kiarostami’s 24 Frames and The Ontology of the Digital Image

James Slaymaker
October 2019
Feature Articles
24 Frames, the final feature from master Iranian filmmaker Abbas Kiarostami, grew out of an abandoned project the auteur had been developing in conjunction with the Louvre. The plan was to bring a number of ico...
Cosmopolis

“I Reach Out My Hand and What Do I Feel?”: Thematising Digitisation in Cronenberg’s Cosmopolis

James Slaymaker
September 2017
Feature Articles
By the end of the first decade of the 21st century, it had become abundantly clear that digital methods of cinematography and distribution had eclipsed the analogue in the mainstream cinema industry. Much of th...
Abel Ferrara

Late Capitalist Atrocity Exhibition: Abel Ferrara’s Welcome To New York

James Slaymaker
March 2016
Mono No Aware: The Films of Abel Ferrara, 2005-2015
It’s difficult not to detect the influence of Pasolini on Abel Ferrara’s Welcome to New York (2014), and not only due to the fact that Ferrara was reportedly undertaking vast amounts of research for his yet-to-...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

Contributing Partner

Donate to Senses

 

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff