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      Single White Female Seeking Same: The Search for Sisterhood in Kissing Jessica Stein and The Banger Sisters

      Glenn D'Cruz
      December 2002
      Feature Articles
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    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Anthony McKibbin
      August 2022
    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022
    • Protestploitation ’70: Revisiting Zabriskie Point and Strawberry Statement

      Selen Ozturk
      July 2022
    • Suicide and Genius: Insights into One Episode of Akira Kurosawa’s Dreams

      Matthew Michaud & Justin Richardson
      July 2022
    • Interrogating Identity: The Fractal Self in Le petit soldat

      Michael James Beck
      July 2022
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      Thomas Austin
      July 2022
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      Glenn D'Cruz
      May 2021
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      Maja Korbecka
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      Maria Giovanna Vagenas
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      Savina Petkova
      May 2022
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      Silvia Spitta & Gerd Gemünden
      May 2022
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      Victor Paz
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      Madeleine Collier
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      Glenn D'Cruz
      October 2005
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      Sanya Osha
      May 2022
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      Darragh O’Donoghue
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
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      Charles Fairbanks
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      Dan Golding
      July 2021
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      Glenn D'Cruz
      May 2022
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      Mark Lager
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      Jessica Balanzategui
      January 2022
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      Reimagining Reality: 61st BFI London Film Festival

      Glenn D'Cruz
      December 2017
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      Bérénice Reynaud
      August 2022
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      Cerise Howard
      August 2022
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      Daniel Fairfax
      August 2022
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      Roger Macy
      July 2022
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      Jonathan Mackris
      July 2022
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      Judith Pernin
      July 2022
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      The Mythographer and the Poet: On Marina Warner’s L’Atalante

      Glenn D'Cruz
      March 2016
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      Emmanuel Bonin
      July 2022
    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021
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    • West of Zanzibar

      Glenn D'Cruz
      July 2010
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    • Shadows of Forgotten Ancestors (Sergei Parajanov, 1965)

      Wheeler Winston Dixon
      July 2022
    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
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Author Glenn D'Cruz

Glenn D'Cruz

Glenn D’Cruz teaches drama and cultural studies at Deakin University, Australia. He is the author of Midnight’s Orphans: Anglo-Indians in Post/Colonial Literature (Peter Lang, 2006), the editor of Class Act: Melbourne Workers Theatre 1987-2007 (Vulgar Press, 2007) and Contemporary Publics: Shifting Boundaries in New Media, Technology and Culture (Palgrave, 2016) — with Katja Lee, David Marshall, and Sharyn Macdonald. His latest books, Sarah Kane’s 4:48 Psychosis (Routledge) and Teaching Postdramatic Theatre (Palgrave) will appear in 2018.  

Uncanny Suburbia, Hauntology and Post-Traumatic Poetics: Conversations with Dirk de Bruyn’s Conversations With My Mother (1990).

Glenn D'Cruz
November 2017
Screening Melbourne
This reflective essay stages a conversation with Dirk de Bruyn’s autobiographical film, Conversations with my Mother’ (1990) in order to foreground the importance of Melbourne’s working class western suburbs in...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

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César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

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