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      Cinema of Pre-predication: On Stan Brakhage and the Phenomenology of Maurice Merleau-Ponty

      Michael Robinson
      August 2007
      Feature Articles
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    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Anthony McKibbin
      August 2022
    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022
    • Protestploitation ’70: Revisiting Zabriskie Point and Strawberry Statement

      Selen Ozturk
      July 2022
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      Matthew Michaud & Justin Richardson
      July 2022
    • Interrogating Identity: The Fractal Self in Le petit soldat

      Michael James Beck
      July 2022
    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part III

      Thomas Austin
      July 2022
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      Michael Robinson
      July 2019
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      Maja Korbecka
      July 2022
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      Savina Petkova
      May 2022
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      Silvia Spitta & Gerd Gemünden
      May 2022
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      Victor Paz
      May 2022
    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Madeleine Collier
      May 2022
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      Michael Robinson
      March 2008
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      Sanya Osha
      May 2022
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      Darragh O’Donoghue
      May 2022
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
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      Charles Fairbanks
      January 2022
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      Dan Golding
      July 2021
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      Michael Robinson
      January 2022
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      Jeremy Carr
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      Mark Lager
      May 2022
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      MIAF at the Crossroads: A Report on the 2003 Melbourne International Animation Festival

      Michael Robinson
      July 2003
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      Bérénice Reynaud
      August 2022
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      Cerise Howard
      August 2022
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      Daniel Fairfax
      August 2022
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      Roger Macy
      July 2022
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      Jonathan Mackris
      July 2022
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      Judith Pernin
      July 2022
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      figures traced in light: On Cinematic Staging and The Way Hollywood Tells It: Story and Style in Modern Movies by David Bordwell

      Michael Robinson
      February 2007
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      Emmanuel Bonin
      July 2022
    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
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      Tony McKibbin
      January 2022
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      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021
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      Paisà

      Michael Robinson
      July 2009
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      Wheeler Winston Dixon
      July 2022
    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
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Author Michael Robinson

Michael Robinson

Dr. Michael Robinson is Chair and Professor, Communication Studies Department, Westover Honors Faculty Fellow, and Co-Director, Popular Culture Minor at the University of Lynchburg, Virginia.

Two Bags of Doritos

Michael Robinson
July 2020
Cinema in the Age of COVID
I have two bags of Doritos in my basement. On the first, Gal Gadot stands face front in a medium shot as Wonder Woman, her new golden winged armour resplendent against the traditional red background of the N...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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