Author Leon Gurevitch

Introduction In 2004 an advertisement featuring a car that transformed into a dancing robot appeared on US and European television. At thirty seconds in length and powerfully reminiscent of the filmed vaudevil...

There are a few rare pleasures you get to experience when reading The Horror Sensorium by Angela Ndalianis. Many academics, having established themselves and their research platform, begin to churn out books th...

In recent years many reevaluations of film and film theory have focused upon the way in which digital technologies of production and distribution alter the relationship between film and our broader audiovisual culture. Leon Gurevitch discusses examples of how digital cinema content increasingly originates on, and migrates across, multiple platforms that render old dichotomies of film and television incomplete.