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      The Cinematic Life of Emotions: John Cassavetes: George Kouvaros Interviewed

      Stayci Taylor
      April 2000
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      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      Stayci Taylor
      July 2012
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
      January 2021
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      I Like Your Early, Scary Films: Consumed: A Novel, by David Cronenberg

      Stayci Taylor
      December 2015
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      Holly Willis
      January 2021
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      Wheeler Winston Dixon
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      This Film’s Going Bad: Collaborative Cutting in Daisies

      Stayci Taylor
      August 2007
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
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      Cerise Howard
      October 2020
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      Martyn Bamber
      October 2020
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      Stayci Taylor
      December 2018
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      Abel Muñoz Hénonin
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Stayci Taylor

Stayci Taylor

Dr Stayci Taylor is an Industry Fellow with the Media program in RMIT University’s School of Media and Communication. She is co-editor of the Journal of Screenwriting’s special issue on Script Development, and is further published in such journals as Celebrity Studies, New Writing and TEXT. Stayci teaches screenwriting at RMIT and continues to work as a screenwriter and script consultant in film and television.

Screenwriting Melbourne/s: The Challenges of Re-presenting and Re-creating Melbourne Within a Screenplay’s Flipped-Reality Narrative

Stayci Taylor
November 2017
Screening Melbourne
This article argues that establishing the screen city begins with the script, and the author makes a case study of her own screenplay, set in an alternative Melbourne where gender hierarchies are reversed. Draw...
Female perspectives comedy

In Her Shoes: Flipped-realities and Female Perspectives in Comedy Screenwriting

Stayci Taylor
September 2016
New Directions in Screen Studies
This article examines flipped-reality screenwriting, particularly in comedy form, and its ability to destabilise the ‘norms’ and ‘universals’ of mainstream film. Flipped-reality is one particular type of fict...

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© Senses of Cinema 2019

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Editors:

Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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