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      “One More Effort, Americans…”: A Report on “Beyond Film Criticism: A Symposium in Homage to Serge Daney”

      Craig Martin
      April 2004
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      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
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      Indigo Bailey
      January 2023
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      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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      Craig Martin
      October 2022
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
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      Toby Wu
      January 2023
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      David A. Gerstner
      January 2023
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      Arindam Sen
      January 2023
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      Hamed Sarrafi
      January 2023
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      Craig Martin
      February 2009
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      Sherry Johnson
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      Giampiero Frasca
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      October 2022
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      Hal Young
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      Sara Delshad
      October 2022
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      Sanya Osha
      May 2022
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      Craig Martin
      May 2022
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      Jacob Agius
      October 2022
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      Craig Martin
      January 2023
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      Leonardo Goi
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      Marc Raymond
      January 2023
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      Glenn D'Cruz
      January 2023
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      Kohei Usuda
      January 2023
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      Tara Judah
      January 2023
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      Neil Young
      January 2023
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      Hitchcock’s Films Revisited by Robin Wood, Revised Edition,

      Craig Martin
      January 2003
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      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
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      Pujita Guha
      January 2023
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      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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      Miller's Crossing, The Glass Key and Dashiell Hammett

      Craig Martin
      March 2002
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      Emma Fajgenbaum
      March 2023
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
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      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
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Author Craig Martin

Craig Martin

Craig Martin serves on the editorial board of Red Feather: An International Journal of Children in Popular Culture. He is a doctoral candidate at the University of Melbourne where his research focuses on the impact of World War II on monster child films. He has written for Screening the Past and Red Feather and contributed chapters to several books, including Spectacular Optical Book One: Kid Power! (2014), Children in the Films of Alfred Hitchcock (2014) and Misfit Children: An Inquiry Into Childhood Belonging (2016).

Ann Turner interview

Trust Your Instinct: An Interview with Ann Turner

Craig Martin
July 2017
Pioneering Australian Women
Set in the Melbourne suburb of Surrey Hills during the summer of 1958, Ann Turner’s remarkable 1988 debut feature Celia follows eponymous nine-year old Celia Carmichael (Rebecca Smart) as she endures a series o...
Horror Ann Turner Celia

Monsters, Masks and Murgatroyd: The Horror of Ann Turner’s Celia

Craig Martin
July 2017
Pioneering Australian Women
Abstract >> In a recent interview with Ann Turner, she shared with me her journey from disappointment to cordial acceptance of the promotion of Celia, her 1989 debut feature film, as horror. “At first ...
Ann Turner interview

Trust Your Instinct: An Interview with Ann Turner

Craig Martin
December 2016
Beyond The Babadook: Australian Women's Filmmaking and the Dark Fantastic
Set in the Melbourne suburb of Surrey Hills during the summer of 1958, Ann Turner’s remarkable 1988 debut feature Celia follows eponymous nine-year old Celia Carmichael (Rebecca Smart) as she endures a series o...
Horror Ann Turner Celia

Monsters, Masks and Murgatroyd: The Horror of Ann Turner’s Celia

Craig Martin
December 2016
Beyond The Babadook: Australian Women's Filmmaking and the Dark Fantastic
Abstract >> In a recent interview with Ann Turner, she shared with me her journey from disappointment to cordial acceptance of the promotion of Celia, her 1989 debut feature film, as horror. “At first ...

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