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    • Summer of Sam

      Start Spreading the News: Summer of Sam (Spike Lee, 1999) and the ‘70s White Working Class

      Kenta McGrath
      September 2017
      Feature Articles
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    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part II

      Thomas Austin
      May 2022
    • Fire Machines: Titane and the Pyrotechnics of Love

      Emmalea Russo
      May 2022
    • Cringing Violently: Reparative Watching, Phenomenology and Discomfort in Australian Cinema

      Caitlin Wilson
      May 2022
    • Deleuzian Rumblings: Residue by Desire Machine Collective

      Vedant Srinivas
      May 2022
    • Acts of Faith: On Benedetta (Paul Verhoeven, 2021)

      Peter Verstraten
      May 2022
    • ‘Is The Power of the Dog a New Zealand film? National Identity, Genre and Jane Campion’

      Alfio Leotta & Missy Molloy
      May 2022
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    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Kenta McGrath
      May 2022
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    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022
    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022
    • “The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz

      Victor Paz
      May 2022
    • The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie

      Brigitta Wagner
      May 2022
    • Interview with Albert Birney & Kentucker Audley

      Nolan Kelly
      May 2022
    • An Interview with Danny Lyon

      Elizabeth Dexter
      May 2022
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      Kenta McGrath
      April 2004
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      Sanya Osha
      May 2022
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      Darragh O’Donoghue
      May 2022
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      Jeremy Carr
      January 2022
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      Tom Cunliffe
      January 2022
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      Charles Fairbanks
      January 2022
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      Dan Golding
      July 2021
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      Kenta McGrath
      January 2022
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      Joy McEntee
      May 2022
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      Wheeler Winston Dixon
      May 2022
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      Jeremy Carr
      May 2022
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      Mark Lager
      May 2022
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    • Kinshasa Makambo (Dieudo Hamadi, 2018)

      Breaking Down Borders in the Midwest: True/False 2018

      Kenta McGrath
      June 2018
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      Madeleine Collier
      May 2022
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      Tara Judah
      May 2022
    • Absence and Presence at Internationale Kurzfilmtage Oberhausen. 68.

      Tara Judah
      May 2022
    • From Within the Umbra of History: A Few Things about the Films of Rainer Komers, Sohrab Hura and Sylvia Schedelbauer

      Anuj Malhotra
      May 2022
    • Film Goes On (?): The 23rd Jeonju International Film Festival

      Marc Raymond
      May 2022
    • Play-Doc 2022: António Campos, a secret filmmaker

      Ricardo Vieira Lisboa
      May 2022
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    • Flesh and Excess

      Towards a History of Visceral Cinema: Flesh and Excess: On Underground Film, by Jack Sargeant

      Kenta McGrath
      September 2017
      Book Reviews
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    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021
    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
  • CTEQ
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    • M (Fritz Lang, 1931)

      Kenta McGrath
      May 2022
      CTEQ Annotations on Film
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Kenta McGrath

Kenta McGrath

Kenta McGrath is a writer, translator and filmmaker. His recent work includes a chapter on war cannibalism and Japanese cinema in the forthcoming edited collection (In)digestion in Literature and Film: A Transcultural Approach (Routledge, April 2020), and an audio commentary for Hirokazu Koreeda’s Nobody Knows, part of a Blu-ray collection of the director’s work released by the British Film Institute (2019).

Lying About Homework (Abbas Kiarostami, 1989)

Kenta McGrath
July 2020
CTEQ Annotations on Film
“It’s a film about homework.” Or so Abbas Kiarostami tells a group of schoolboys who approach him on the street and ask what he’s filming. “Have you done your homework?” Kiarostami asks them, in turn. A resoun...

Pass it on: Mysterious Object at Noon (Apichatpong Weerasethakul, 2000)

Kenta McGrath
April 2020
CTEQ Annotations on Film
Mysterious Object at Noon. Even at a first glance, Thai artist and filmmaker Apichatpong Weerasethakul’s first feature has one of the most evocative titles in the history of cinema (the original title, Dogfahr ...

3/11 Cinema

Kenta McGrath
October 2019
This is what defined cinema in the 2010s
The multifaceted disaster which struck Japan’s northeastern Tōhoku region on 11 March 2011 – a magnitude-9 earthquake, which triggered a devastating tsunami then the worst nuclear crisis since Chernobyl – resul...
Stuff And Dough

Off the Road Again: Stuff and Dough (Cristi Puiu, 2001)

Kenta McGrath
September 2017
CTEQ Annotations on Film
It wasn’t until Cristi Puiu’s breakthrough second feature The Death of Mr. Lazarescu (Moartea domnului Lãzãrescu, 2005) and a remarkable string of successes by his young Romanian contemporaries that many paid a...
Nobody Knows

Nobody Knows (Hirokazu Koreeda, 2004)

Kenta McGrath
June 2017
CTEQ Annotations on Film
Hirokazu Koreeda’s Nobody Knows (Dare mo shiranai, 2004) is a fictionalisation of an infamous incident from 1988, whereby a mother left her four children – all born to different fathers and, with the possible e...

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