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      March 2011
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      Inge Fossen
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Author Thomas Elsaesser

Thomas Elsaesser

Thomas Elsaesser is Professor Emeritus of Cinema Studies at Amsterdam University and since 2013 Visiting Professor at Columbia University.

The Loop of Belatedness: Cinema After Film in the Contemporary Art Gallery

Thomas Elsaesser
March 2018
Cinema and the Museum
In this essay, an earlier version of which was given as the Daphne Mayo Lecture at the University of Queensland on October 8, 2014, Thomas Elsaesser examines the increasingly strategic role played by art spaces...
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Paul Wegener: Frühe Moderne im Film by Heide Schönemann

Thomas Elsaesser
April 2005
Book Reviews
This review was originally published in Cinema & Cie, no. 5, Fall 2004, 54–56. It has always been axiomatic – and not only thanks to Lotte Eisner's The Haunted Screen – that Expressionism is the typicall...
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Introduction: Harun Farocki

Thomas Elsaesser
July 2002
Harun Farocki
Overview and discussion of long-time German-based filmmaker and artist, Farocki, who has emerged to occupy a unique place in film history.
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Mirror, Muse, Medusa: Experiment Perilous

Thomas Elsaesser
December 2001
Film and the Other Arts
An examination into the relations between cinema, painting, the painted portrait, and 'woman'.

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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