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    • A Tribute to Sarah Watt

      Thomas Elsaesser
      December 2011
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      Andy Reischling
      October 2020
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      Andrew Brooks
      October 2020
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      Zoë Almeida Goodall
      October 2020
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      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
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      Salvador Carrasco
      October 2020
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      Steffanie Ling
      October 2020
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      A Report on the 13th Brisbane International Film Festival

      Thomas Elsaesser
      October 2004
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      Sucheta Chakraborty
      January 2021
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      Leonardo Goi
      January 2021
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      Stuart Richards
      January 2021
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      Marc Raymond
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      Saige Walton
      January 2021
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      Kohei Usuda
      January 2021
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      A Partial World Viewed: Film Fables and The Future of the Image by Jacques Rancière

      Thomas Elsaesser
      March 2008
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      Holly Willis
      January 2021
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      Wheeler Winston Dixon
      January 2021
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      Eric Gudas
      January 2021
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      Tom Ryan
      January 2021
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      Karthick Ram Manoharan
      January 2021
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      Daniel Fairfax
      October 2020
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      Thomas Elsaesser
      March 2018
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
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      Cerise Howard
      October 2020
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      Martyn Bamber
      October 2020
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      Thomas Elsaesser
      July 2003
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Thomas Elsaesser

Thomas Elsaesser

Thomas Elsaesser is Professor Emeritus of Cinema Studies at Amsterdam University and since 2013 Visiting Professor at Columbia University.

The Loop of Belatedness: Cinema After Film in the Contemporary Art Gallery

Thomas Elsaesser
March 2018
Cinema and the Museum
In this essay, an earlier version of which was given as the Daphne Mayo Lecture at the University of Queensland on October 8, 2014, Thomas Elsaesser examines the increasingly strategic role played by art spaces...
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Paul Wegener: Frühe Moderne im Film by Heide Schönemann

Thomas Elsaesser
April 2005
Book Reviews
This review was originally published in Cinema & Cie, no. 5, Fall 2004, 54–56. It has always been axiomatic – and not only thanks to Lotte Eisner's The Haunted Screen – that Expressionism is the typicall...
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Introduction: Harun Farocki

Thomas Elsaesser
July 2002
Harun Farocki
Overview and discussion of long-time German-based filmmaker and artist, Farocki, who has emerged to occupy a unique place in film history.
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Mirror, Muse, Medusa: Experiment Perilous

Thomas Elsaesser
December 2001
Film and the Other Arts
An examination into the relations between cinema, painting, the painted portrait, and 'woman'.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

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Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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