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      Leighton Pierce: Master Miniaturist

      Thomas Elsaesser
      May 2002
      Feature Articles
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    • Criminals Against Decoration: Modernism as a Heist

      Andy Reischling
      October 2020
    • The New-Ark: trying to disavow anti-blackness

      Andrew Brooks
      October 2020
    • Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

      Zoë Almeida Goodall
      October 2020
    • Wanda (Barbara Loden,1971)

      What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

      Luise Moerke
      October 2020
    • Come and See The Painted Bird: A Filmmaker’s Plea

      Salvador Carrasco
      October 2020
    • Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

      Steffanie Ling
      October 2020
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      Thomas Elsaesser
      April 2020
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      Roger Macy
      October 2020
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      Alexandra Heller-Nicholas
      October 2020
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      Leonardo Goi
      October 2020
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      Jake Pitre
      October 2020
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      Maria Giovanna Vagenas
      October 2020
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      Sofie Cato Maas
      July 2020
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      Land of a Thousand Balconies: Discoveries and Confessions of a B-Movie Archaeologist by Jack Stevenson

      Thomas Elsaesser
      October 2003
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      Daniel Fairfax
      October 2020
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      Joshua Sperling
      October 2020
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      Tony McKibbin
      October 2020
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      Tony McKibbin
      July 2020
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      Joshua Heaps
      July 2020
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      Ivan Cerecina
      July 2020
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      Decision at Sundown

      Thomas Elsaesser
      July 2005
      CTEQ Annotations on Film, Revisiting Budd Boetticher
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      David Melville
      October 2020
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      Darragh O’Donoghue
      October 2020
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      Donovan Renn
      October 2020
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      David Heslin
      October 2020
    • Of East and West and High and Low: Lemonade Joe (1964)

      Cerise Howard
      October 2020
    • A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

      Martyn Bamber
      October 2020
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      Thomas Elsaesser
      January 2003
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      Jeremy Carr
      October 2020
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      Brendan Black
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      Adrian Schober
      April 2020
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      Abel Muñoz Hénonin
      April 2020
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      Jasper Mäkinen
      October 2019
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      Bruce Jackson
      July 2019
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Author Thomas Elsaesser

Thomas Elsaesser

Thomas Elsaesser is Professor Emeritus of Cinema Studies at Amsterdam University and since 2013 Visiting Professor at Columbia University.

The Loop of Belatedness: Cinema After Film in the Contemporary Art Gallery

Thomas Elsaesser
March 2018
Cinema and the Museum
In this essay, an earlier version of which was given as the Daphne Mayo Lecture at the University of Queensland on October 8, 2014, Thomas Elsaesser examines the increasingly strategic role played by art spaces...
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Paul Wegener: Frühe Moderne im Film by Heide Schönemann

Thomas Elsaesser
April 2005
Book Reviews
This review was originally published in Cinema & Cie, no. 5, Fall 2004, 54–56. It has always been axiomatic – and not only thanks to Lotte Eisner's The Haunted Screen – that Expressionism is the typicall...
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Introduction: Harun Farocki

Thomas Elsaesser
July 2002
Harun Farocki
Overview and discussion of long-time German-based filmmaker and artist, Farocki, who has emerged to occupy a unique place in film history.
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Mirror, Muse, Medusa: Experiment Perilous

Thomas Elsaesser
December 2001
Film and the Other Arts
An examination into the relations between cinema, painting, the painted portrait, and 'woman'.

Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

 

© Senses of Cinema 2019

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Michelle Carey • Daniel Fairfax • Fiona Villella • César Albarrán-Torres

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