Author Roger Cook

Roger Cook

Roger Cook is Professor of German Studies and Director of the Film Studies Program at the University of Missouri. He has written extensively on New German Cinema and contemporary German film. He co-edited The Cinema of Wim Wenders: Image, Narrative, and the Postmodern Condition (Wayne State University Press, 1996) and is co-editor of Berlin School Glossary: An ABC of the New Wave in German Cinema (Intellect Books, 2013). He has also written on eighteenth and nineteenth-century German literature, with a particular emphasis on Heinrich Heine. He is the author of By the Rivers of Babylon: Heinrich Heine’s Late Songs and Reflections (Wayne State University Press, 1998) and the editor of A Companion to the Works of Heinrich Heine (Camden House, 2003). His current work engages research in media theory and neuroscience to investigate issues of embodiment in film viewing, and he is currently finishing a book entitled Post-Cinematic Vision: Film and the Evolution of Spectatorship.

The Texture of History: Petzold’s Barbara and The Lives of Others

Roger Cook

September 2017

Christian Petzold: A Dossier

The essay examines how Petzold evokes an embodied mode of spectatorship as part of a strategy to counter the approach to history taken by von Donnersmarck. Critics have observed that Petzold’s first historical ...

Claude Sautet: Purity and Invention

Criminals Against Decoration: Modernism as a Heist

The New-Ark: trying to disavow anti-blackness

Claustrophobia and Intimacy in Alex Ross Perry’s Queen of Earth and Her Smell

What’s in a Cone? Barbara Loden’s Wanda Between Weakness and Resilience

Come and See The Painted Bird: A Filmmaker’s Plea

Thresholds of Work and Non-Work in Tulapop Saenjaroen’s People on Sunday

In Search of an Eastern European Identity – Vilnius Film Festival review

The 34th Cinema Ritrovato Has Full Resuscitation under COVID

Women at the 2020 Toronto International Film Festival

Lest We Forget: the 31st FID Marseille

A Vitalising Cinema in an Agitated Age: The 58th New York Film Festival

Locarno 2020: The Open Doors Experience

Your Daughters Come Back to You: The 28th Pan African Film and Arts Festival

Chasing the Runaways: Foreign Film Production and Film Studio Development in Australia 1988-2002 by Nick Herd

Trade Follows the Film: Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System by Lee Grieveson

War, Community, and the Cinema: Front Lines of Community: Hollywood Between War and Democracy by Hermann Kappelhof and Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

The Perfect Conditional: Philippe Garrel by Michael Leonard

Creating the Appearance of Being: The Art of American Screen Acting 1960 to Today, by Dan Callahan

The Restless Spectator: Anxious Cinephilia: Pleasure and Peril at the Movies, by Sarah Keller

Engaged Vision: Critical Mass: Social Documentary in France from the Silent Era to the New Wave, by Steven Ungar

Baby Face

Stairways to Paradise: Youssef Chahine and Alexandria…Why?

At Home Among Strangers (Свой среди чужих, чужой среди своих, Nikita Mikhalkov, 1974)

German Yearnings, East and West: The Sons of Great Bear (Josef Mach, 1966)

Waiting for Rain: Oppression and Resistance in Youssef Chahine’s The Land (1970)

Of East and West and High and Low: Lemonade Joe (1964)

A Man from the Boulevard des Capucines (Chelovek s bulvara Kaputsinov, Alla Surikova, 1987)

Tavernier, Bertrand

Scott, Tony

Menzel, Jiří

Wise, Robert

Fernández, Emilio “Indio”

Fei Mu

Huston, John

The Texture of History: Petzold’s Barbara and The Lives of Others