A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra Jens Andermann May 2026 Feature Articles The camera soaring through the air, mimicking the gaze of a bird taking flight or even boarding a satellite orbiting the Earth, in Lisandro Alonso’s Eureka (2023) and Lucrecia Martel's Nuestra tierra (Landmarks...
Argentine cinema after the New: Territories, languages, medialities Jens Andermann December 2018 Latin American Cinema Today: An Unsolved Paradox Spanish version / Versión en Español. Icónica. One of the subtler coincidences between Zama (2017) and Jauja (2014), Lucrecia Martel’s and Lisandro Alonso’s most recent films, has received far less attention...
