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      Tierra: The Exterminator, Ángel

      Alison Taylor
      July 2000
      Feature Articles
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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    • Susie Dee, Trudy Hellier and Patricia Cornelius talk Shit with interviewer Cerise Howard

      Alison Taylor
      May 2024
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    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Alison Taylor
      May 2006
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      Florian Zappe
      July 2026
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      Patrick F. Campos
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      Nicholas Buccheri
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Alison Taylor
      August 2024
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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      Ambiguous Adventures: The 23rd Torino Film Festival

      Alison Taylor
      February 2006
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      Reinventing European Cinema Studies? The New European Cinema: Redrawing the Map by Rosalind Galt and Crossing New Europe: Postmodern Travel and the European Road Movie by Ewa Mazierska and Laura Rascaroli

      Alison Taylor
      May 2007
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
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      Scott Robinson
      May 2026
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    • Identity in Elia Kazan’s Splendor in the Grass

      Alison Taylor
      March 2012
      CTEQ Annotations on Film
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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      Darragh O’Donoghue
      September 2026
    • Playful Provocation: Hypermediacy in Mario Bava’s Danger: Diabolik

      Kyle Sossamon
      September 2026
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      Ian Olney
      September 2026
    • The Faces of Mario Bava’s Black Sabbath

      Kristian Ramsden
      September 2026
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Author Alison Taylor

Alison Taylor

Alison Taylor teaches at Bond University, Australia. She is the author of Troubled Everyday: The Aesthetics of Violence and the Everyday in European Art Cinema and has a forthcoming monograph on Andrzej Żuławski's Possession. She is currently co-writing a book with Jason Jacobs on the work of Nicolas Winding Refn for the SUNY Press Horizons of Cinema Series.

“A ghost mob”: Interview with Sandra Wollner

Alison Taylor
October 2020
Interviews
In February this year, Sandra Wollner’s contentious film, The Trouble with Being Born (2020) debuted at Berlinale, earning a Special Jury prize. In August, the film was due to have its Australian premiere as pa...

Tangled Worlds – The Natural and Fantastic in Peter Strickland’s Katalin Varga and Berberian Sound Studio

Alison Taylor
July 2019
The Analogues of Peter Strickland
"But round the castle there began to grow a hedge of thorns, which every year became higher, and at last grew close up round the castle and all over it, so that there was nothing of it to be seen, not even the ...
The Piano Teacher

The Avoidance of Love: The Piano Teacher (2001) as Anti-Melodrama

Alison Taylor
February 2017
CTEQ Annotations on Film
In 1991, Isabelle Huppert starred in Claude Chabrol’s Madame Bovary, a film that charts the fall of Gustave Flaubert’s tragic heroine. Emma’s idealistic longing for earth-shattering romance is unmet in the real...
Violent Women in Contemporary Cinema

Two or Three Things I Know About Her: Violent Women in Contemporary Cinema, by Janice Loreck

Alison Taylor
December 2016
Book Reviews
There’s a moment in Basic Instinct (Paul Verhoeven, 1992) when Dr. Beth Garner tries to warn her on-again off-again lover, Detective Nick Curran, of the danger posed by his prime suspect in a homicide investiga...
Queensland Film Festival

Bold Origins, Unfolding Futures: The Second Annual Queensland Film Festival

Alison Taylor
September 2016
Festival Reports
On the fiftieth anniversary of the very first Brisbane Film Festival (BFF), and the twenty-fifth anniversary of the first Brisbane International Film Festival (BIFF), the Queensland Film Festival has returned t...
trange Case of Dr. Jekyll and Miss Osbourne

The Strange Case of Dr. Jekyll and Miss Osbourne (Walerian Borowczyk, 1981)

Alison Taylor
May 2016
CTEQ Annotations on Film
A scalpel lacerates the painting by Vermeer. Margaret, her legs apart, raped, in the kitchen. The portrait of Jekyll’s father destroyed by sulphuric acid. - Extract from Borowczyk’s script. Two images form ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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