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      Luca Peretti
      September 2012
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    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Anthony McKibbin
      August 2022
    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022
    • Protestploitation ’70: Revisiting Zabriskie Point and Strawberry Statement

      Selen Ozturk
      July 2022
    • Suicide and Genius: Insights into One Episode of Akira Kurosawa’s Dreams

      Matthew Michaud & Justin Richardson
      July 2022
    • Interrogating Identity: The Fractal Self in Le petit soldat

      Michael James Beck
      July 2022
    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part III

      Thomas Austin
      July 2022
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    • The Living Theatre: An Interview with Paul Felten and Joe DeNardo about their film Slow Machine

      Luca Peretti
      October 2020
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      Maja Korbecka
      July 2022
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      Savina Petkova
      May 2022
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      Silvia Spitta & Gerd Gemünden
      May 2022
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      Victor Paz
      May 2022
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      Madeleine Collier
      May 2022
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      Luca Peretti
      December 2002
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      Sanya Osha
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      Jeremy Carr
      January 2022
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      Charles Fairbanks
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      Dan Golding
      July 2021
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      Luca Peretti
      May 2022
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      Seijun Suzuki: Authority in Minority

      Luca Peretti
      July 2000
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      Bérénice Reynaud
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      Cerise Howard
      August 2022
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      Daniel Fairfax
      August 2022
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      Roger Macy
      July 2022
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      Jonathan Mackris
      July 2022
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      Judith Pernin
      July 2022
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    • The 21st Century Screenplay: A Comprehensive Guide to Writing Tomorrow’s Films by Linda Aronson; Screenwriting: History, Theory and Practice by Steven Maras

      Luca Peretti
      March 2012
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      Emmanuel Bonin
      July 2022
    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022
    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022
    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021
    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021
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    • East of Eden

      Luca Peretti
      March 2012
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    • Shadows of Forgotten Ancestors (Sergei Parajanov, 1965)

      Wheeler Winston Dixon
      July 2022
    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022
    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022
    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022
    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022
    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022
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Author Luca Peretti

Luca Peretti

Luca Peretti is a PhD candidate in the Department of Italian and in Film and Media Studies at Yale, where he studies Italian cinema and history. He collaborates with various newspapers and websites.

Jean-Paul Sartre

Before The Battle of Algiers: Sartre, Colonialism, Industrial Cinema, and an Unmade Film

Luca Peretti
September 2017
Sartre at the Movies
“I am not afraid of the war in Algeria. I am not afraid of decolonisation” Like many other companies, the national oil company of Italy, ENI, produced a number of films, particularly between the 1950s and the ...
Italian television

Audiences at the Time of the “Two Churches”: Political Audiences: A Reception History of Early Italian Television, by Damiano Garofalo

Luca Peretti
July 2016
Book Reviews
Damiano Garofalo’s Political Audiences. A reception history of early Italian television is a history of TV consumption in Italy during the 1950s and 1960s. Its primary sources are audience’s responses to televi...
A Cinema of Poetry book review

Between Poetry and Film: A Cinema of Poetry: Aesthetics of the Italian Art Film by Joseph Luzzi

Luca Peretti
June 2015
Book Reviews
Joseph Luzzi’s A Cinema of Poetry: Aesthetics of the Italian Art Film is a dense and layered book that focuses on different aspects of post-war Italian cinema, spanning from neorealism to films as recent as Le ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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