• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Great Actors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • Welcome: An Insight into the Landscape of Contemporary French Consciousness

      Sandra E. Lim
      June 2011
      Feature Articles
    Recent
    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
    • Beyond Revolution as Romance: On the Enduring Relevance of Humberto Solás’ Lucía

      Pritish Das
      July 2026
    • Bee and Bresson: Pickpocket and its Painting

      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
  • Interviews
    Random
    • The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie

      Sandra E. Lim
      May 2022
      Interviews
    Recent
    • An Interview with Giulio Bertelli

      Gary M. Kramer
      July 2026
    • Mahboobeh Kalaee: Creation as Antidote to Destruction during American and Israeli airstrikes

      Amanda Barbour
      July 2026
    • Time and Tide: In Conversation with Director Vee Shi and Cinematographer-Producer Nicholson Ren

      Tùng Bạch Đăng
      July 2026
    • Lee Anne Schmitt: An Anthropology of Americanism

      Arindam Sen
      July 2026
    • “What is a complete image of oil?”: An Interview with Sanaz Sohrabi

      Botagoz Koilybayeva
      July 2026
    • Interview with Pierre le Gall

      Gary M. Kramer
      July 2026
  • Great Directors
    Random
    • Richardson, Tony

      Sandra E. Lim
      August 2007
      Great Directors
    Recent
    • Ferrara, Abel

      Florian Zappe
      July 2026
    • Khavn

      Patrick F. Campos
      July 2026
    • Yuasa, Masaaki

      Nicholas Buccheri
      July 2026
    • Corbucci, Sergio

      Sherry Johnson
      May 2026
    • Fisher, Terence

      Steve Johnson
      January 2026
    • Dutt, Guru

      Ashish Dwivedi
      November 2025
  • Great Actors
    Random
    • Bogart, Humphrey

      Sandra E. Lim
      May 2023
      Great Actors
    Recent
    • Kuz’mina, Elena

      Tony Williams
      May 2026
    • Lindsay, Margaret

      Andy Hageman
      January 2026
    • Lavant, Denis

      Indigo Bailey
      November 2025
    • Swinton, Tilda

      Colette de Castro
      July 2025
    • Yeoh, Michelle

      Tony Williams
      May 2025
    • Gelovani, Mikheil

      Tony Williams
      May 2025
  • Festival Reports
    Random
    • State of the Nation: Portuguese Short Film at the 20th Vila do Conde International Short Film Festival

      Sandra E. Lim
      August 2012
      Festival Reports
    Recent
    • Korean Cinephilia and Its Possible Futures: The 27th Jeonju International Film Festival

      Marc Raymond
      July 2026
    • What is the honour of cinema? – The 79th Cannes Film Festival

      Daichi Ogi
      July 2026
    • Coming of age does not happen overnight: IndieLisboa turns 23

      Susana Bessa
      July 2026
    • The hottest ticket in town: the 40th Il Cinema Ritrovato

      Stefan Solomon
      July 2026
    • Shanghai IFF 2026: Things that Change, Things that Don’t

      Maja Korbecka
      July 2026
    • Sundance 2026: Watching on the go

      Botagoz Koilybayeva
      May 2026
  • Book Reviews
    Random
    • Spectacles of Difference: Exotic Cinema by Daniela Berghahn

      Sandra E. Lim
      July 2025
      Book Reviews
    Recent
    • Feeling the Screen Story’s Pulse: Karen Peralman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
    • The Material Ghosts of Bombay Horror

      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
    • A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground

      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
  • CTEQ
    Random
    • article placeholder

      Loose Change(s): Pocket Money and the “Post-Western”

      Sandra E. Lim
      April 2004
      CTEQ Annotations on Film
    Recent
    • Filmmaking at the end of the world: The Quiet Earth

      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
    • 4 Little Girls

      Darragh O’Donoghue
      July 2026
    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026
    • 25th Hour

      Michael Green
      July 2026
    • School Daze-d and Confused

      Sebastian Carrasco
      July 2026
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Contributions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author Sandra E. Lim

Sandra E. Lim

Sandra E. Lim is a film scholar, writer, and media artist. She currently lectures on Politics and Film at Toronto Metropolitan University, Canada, and holds a PhD in Art and Design for the Moving Image from the University of Brighton, UK. She is a designated established Media Artist by the Canada Council for the Arts, and her moving image work and art has been screened at film festivals, galleries, and museums worldwide, including the Whitechapel Gallery Filmmaker Forum, the London Documentary Festival, Tokyo Museum of Modern Art, and The Female Eye Film Festival (Toronto), among others. Her work is currently distributed by the Canadian Filmmakers Distribution Centre (CFMDC).

A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

Sandra E. Lim
July 2026
CTEQ Annotations on Film
The first few minutes of Spike Lee’s Malcolm X (1992) are easy to miss. The Warner Brothers logo appears against a cotton-ball cerulean sky. A voiceover greets with “Salaam Alaikum,” and a congregation of voice...

Revelation, Sumud, and the Ethics of the Gaze in Suleiman’s It Must Be Heaven

Sandra E. Lim
October 2025
CTEQ Annotations on Film
In It Must Be Heaven (2019), Palestinian filmmaker Elia Suleiman writes, directs, and stars as a version of himself, a character identified only by his initials, E.S., a reoccurring persona in all of his featur...

Cinema of Reflexivity: Hegemonic Masculinity and the Logic of Terror in Haneke’s The White Ribbon

Sandra E. Lim
March 2025
CTEQ Annotations on Film
Das Weisse Band – Eine deutsche Kindergeschichte (The White Ribbon, A German Children’s Tale, Michael Haneke, 2009) is set in the fictional village of Eichenwald in pre-World War I Germany. The now elderly scho...

Unveiling the Meta Skin of Marzieh Meshkiny’s The Day I Became a Woman

Sandra E. Lim
June 2024
CTEQ Annotations on Film
Ruzi keh Zan Shodam (The Day I Became a Woman, Marzieh Meshkiny, 2000) is Marzieh Meshkiny’s debut film, produced by the Makhmalbaf Film House which was founded in 1996 by renowned Iranian film director Mohsen ...

Realism, Morality and Care in Where Is the Friend’s House? (Abbas Kiarostami, 1987)

Sandra E. Lim
July 2020
CTEQ Annotations on Film
Kahne-ye doust kodjast? (Where is the Friend’s House?, 1987), is the first of three interrelated films in Abbas Kiarostami’s “Koker trilogy”, named after the northern Iranian village where the films are set. Th...

The Tribulations of the Working Class: Bicycle Thieves (Vittorio De Sica, 1948)

Sandra E. Lim
February 2020
CTEQ Annotations on Film
Ladri di biciclette (Bicycle Thieves, 1948) marked Vittorio De Sica’s eighth directorial credit in a prolific filmmaking career, which had included work produced within the dictates of Italy’s government-contro...

Vera Cruz (Robert Aldrich, 1954): A “Superwestern” from the Postwar Hollywood Left

Sandra E. Lim
March 2019
CTEQ Annotations on Film
At the end of the American Civil War and during the height of the Franco–Mexican War, circa 1866, Joe Erin (Burt Lancaster) and Ben Trane (Gary Cooper) make their way into Mexico looking to sell their services ...

Rehabilitating the Hollywood Left in Thom Andersen and Noël Burch’s Red Hollywood (1996/2014)

Sandra E. Lim
March 2018
CTEQ Annotations on Film
In the opening titles, Red Hollywood (Tom Andersen and Noël Burch, 1996/2014) declares itself a compilation film. Compilation films are a form of historical and documentary practice, with roots in early Soviet ...

Playtime (Jacques Tati, 1967)

Sandra E. Lim
March 2017
Love Letters: 1967
Revisiting Playtime’s Style of Comic Democracy Playtime (Jacques Tati, 1967) is the third of four films based on the character of Monsieur Hulot (Jacques Tati), which follows a self-effacing everyman as he vis...
Meet John Doe

Individualism and Populism in Frank Capra’s Meet John Doe (1941)

Sandra E. Lim
March 2016
CTEQ Annotations on Film
Meet John Doe (Frank Capra, 1941), is the story of down and out baseball player Long John Willoughby (Gary Cooper), who having never quite made it to the major league, has taken up the carefree life of a hobo, ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

Contributing Partner

Donate to Senses

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff