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    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part III

      Sandra E. Lim
      July 2022
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      Khatuna Maisashvili
      January 2023
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      Laleen Jayamanne
      January 2023
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      Bruce Jackson
      January 2023
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      Indigo Bailey
      January 2023
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      Arindam Sen
      January 2023
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      Dirk de Bruyn
      January 2023
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      Sandra E. Lim
      July 2021
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      Tara Judah
      January 2023
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      Maria Giovanna Vagenas
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      Toby Wu
      January 2023
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      Arindam Sen
      January 2023
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      Hamed Sarrafi
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      David A. Gerstner
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      Sandra E. Lim
      December 2002
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      Sherry Johnson
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      Giampiero Frasca
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      Jeremy Carr
      October 2022
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      Hal Young
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      Sara Delshad
      October 2022
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      Sandra E. Lim
      January 2022
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      Jacob Agius
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      Assembly Required: Technique, Style and Story: The 2007 Melbourne International Animation Festival

      Sandra E. Lim
      November 2007
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      Leonardo Goi
      January 2023
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      Glenn D'Cruz
      January 2023
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      Kohei Usuda
      January 2023
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      Marc Raymond
      January 2023
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      Saige Walton
      January 2023
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      Tara Judah
      January 2023
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    • Goldsmith B, Ward S and O’Regan T, 2010, Local Hollywood: Global Film Production and the Gold Coast

      Sandra E. Lim
      March 2013
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    • For a Double-Edged Theory: Christian Metz’ Essais sur la signification au cinéma at 50

      Abel Muñoz Hénonin
      January 2023
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      Marc Raymond
      January 2023
    • In search of a Global Filipino Auteur: Sine ni Lav Diaz, edited by Parichay Patra and Micheal Kho Lim

      Pujita Guha
      January 2023
    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022
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      Corey P. Cribb
      October 2022
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      Emmanuel Bonin
      July 2022
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      Macbeth

      Sandra E. Lim
      March 2008
      CTEQ Annotations on Film
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    • Pickpocket (Robert Bresson, 1959)

      Emma Fajgenbaum
      March 2023
    • I Remember: Amarcord (Federico Fellini, 1973)

      Jacob Agius
      February 2023
    • The Lure (Agnieszka Smoczyńska, 2015)

      Faith Everard
      December 2022
    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022
    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022
    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022
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Author Sandra E. Lim

Sandra E. Lim

Sandra E. Lim currently lectures on Politics and Film at Ryerson University in Toronto, Canada. She holds a PhD in Art and Design for the Moving Image, from the University of Brighton in the UK. Her writing on films and art can be found in the journals Screenworks and Reconstruction. Additionally, her moving image work is distributed by the Canadian Filmmakers Distribution Centre (CFMDC) Toronto.

Realism, Morality and Care in Where Is the Friend’s House? (Abbas Kiarostami, 1987)

Sandra E. Lim
July 2020
CTEQ Annotations on Film
Kahne-ye doust kodjast? (Where is the Friend’s House?, 1987), is the first of three interrelated films in Abbas Kiarostami’s “Koker trilogy”, named after the northern Iranian village where the films are set. Th...

The Tribulations of the Working Class: Bicycle Thieves (Vittorio De Sica, 1948)

Sandra E. Lim
February 2020
CTEQ Annotations on Film
Ladri di biciclette (Bicycle Thieves, 1948) marked Vittorio De Sica’s eighth directorial credit in a prolific filmmaking career, which had included work produced within the dictates of Italy’s government-contro...

Vera Cruz (Robert Aldrich, 1954): A “Superwestern” from the Postwar Hollywood Left

Sandra E. Lim
March 2019
CTEQ Annotations on Film
At the end of the American Civil War and during the height of the Franco–Mexican War, circa 1866, Joe Erin (Burt Lancaster) and Ben Trane (Gary Cooper) make their way into Mexico looking to sell their services ...

Rehabilitating the Hollywood Left in Thom Andersen and Noël Burch’s Red Hollywood (1996/2014)

Sandra E. Lim
March 2018
CTEQ Annotations on Film
In the opening titles, Red Hollywood (Tom Andersen and Noël Burch, 1996/2014) declares itself a compilation film. Compilation films are a form of historical and documentary practice, with roots in early Soviet ...

Playtime (Jacques Tati, 1967)

Sandra E. Lim
March 2017
Love Letters: 1967
Revisiting Playtime’s Style of Comic Democracy Playtime (Jacques Tati, 1967) is the third of four films based on the character of Monsieur Hulot (Jacques Tati), which follows a self-effacing everyman as he vis...
Meet John Doe

Individualism and Populism in Frank Capra’s Meet John Doe (1941)

Sandra E. Lim
March 2016
CTEQ Annotations on Film
Meet John Doe (Frank Capra, 1941), is the story of down and out baseball player Long John Willoughby (Gary Cooper), who having never quite made it to the major league, has taken up the carefree life of a hobo, ...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

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