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    • Missing links: exploring traces of Kubrick’s ‘unknown’ early works

      Nashuyuan Wang
      October 2020
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    • Crimes Against Reality: Speculation and the New Red Order

      Max Bowens & Candice Strongwater
      July 2026
    • Consent Puzzles in the Oslo Stories Trilogy by Dag Johan Haugerud

      Colette de Castro
      July 2026
    • The Eternal Return: The Battle of Algiers at 60

      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
    • A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra

      Jens Andermann
      May 2026
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      Nashuyuan Wang
      May 2024
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      Gary M. Kramer
      July 2026
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      Amanda Barbour
      July 2026
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      Tùng Bạch Đăng
      July 2026
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      Arindam Sen
      July 2026
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      Botagoz Koilybayeva
      July 2026
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      Gary M. Kramer
      July 2026
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      Nashuyuan Wang
      January 2003
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      Florian Zappe
      July 2026
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      Patrick F. Campos
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      Nicholas Buccheri
      July 2026
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      Sherry Johnson
      May 2026
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      Steve Johnson
      January 2026
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      Ashish Dwivedi
      November 2025
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      Nashuyuan Wang
      August 2024
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      Tony Williams
      May 2026
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      Andy Hageman
      January 2026
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      Indigo Bailey
      November 2025
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      Colette de Castro
      July 2025
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      Tony Williams
      May 2025
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      Tony Williams
      May 2025
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      Cinema Unbound: Some notes on the 9th Festival des Cinémas Différents de Paris

      Nashuyuan Wang
      April 2008
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      Marc Raymond
      July 2026
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      Daichi Ogi
      July 2026
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      Susana Bessa
      July 2026
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      Stefan Solomon
      July 2026
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      Maja Korbecka
      July 2026
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      Botagoz Koilybayeva
      May 2026
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      American Films of the 70s: Conflicting Visions (Austin, University of Texas Press, 2000) by Peter Lev

      Nashuyuan Wang
      November 2001
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    • Feeling the Screen Story’s Pulse: Karen Peralman’s Cutting Rhythms: Creative Film Editing

      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
    • Cinephilia Reconsidered: Dorothy Wai Sim Lau’s East Asian Auteurism, Cinephilia and the Media Platform Era

      Jiahan Olivia Lin
      July 2026
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      Wheeler Winston Dixon
      May 2026
    • Fame amid the Ruins: Italian Film Stardom in the age of Neorealism by Stephen Gundle

      Ashish Dwivedi
      May 2026
    • Reality Strikes: Simon R. Troon’s Cinematic Encounters with Disaster

      Scott Robinson
      May 2026
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    • “… Only Superficially Superficial”: The Tragedy of Sophistication in Madame de.

      Nashuyuan Wang
      March 2003
      CTEQ Annotations on Film
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    • Filmmaking at the end of the world: The Quiet Earth

      Gregory Bennett
      August 2026
    • Porno, Disco, and Summer of Sam: Spike Lee on Sexuality

      Desirae Embree
      July 2026
    • 4 Little Girls

      Darragh O’Donoghue
      July 2026
    • A Pedagogy of Resistance: From Double Consciousness to the Unified Self in Spike Lee’s Malcolm X

      Sandra E. Lim
      July 2026
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      Michael Green
      July 2026
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      Sebastian Carrasco
      July 2026
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Author Nashuyuan Wang

Nashuyuan Wang

Graduating from University College London with a PhD in History, Nashuyuan Wang is now an engineer and journal editor for an academic journal, Railway Sciences. She had worked as the media journalist for the European Times and Chinese weekly, the judge and film reviewer for Beloit International Film Festival, cultural writer and PR manager for Chinese Food Festival, and the Cultural Media Chief Editor at FusionPay.

Mapping an Emotional Geography in Farewell, My Concubine and East Palace, West Palace: Imaginary Queer Space and Beijing Queer Film Festival

Nashuyuan Wang
August 2023
Pride on the Margins
With the Reform and Opening Up of the late 1980s, China saw an increase in the visibility of queer representation. Chinese queer cinema in the early 1990s created unique cinematic aesthetics through these groun...

Traumatising the floating space of desire: how hotel spaces locate the painful passion of dislocated lives

Nashuyuan Wang
May 2022
Feature Articles
The hotel space is one of the most uncanny products of the modern world. On the one hand, it accommodates leave and stay, transit and temporary spatial engagement, physically disarranging territorial compositio...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

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Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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