Tiger Shark Michael J. Anderson February 2009 CTEQ Annotations on Film Tiger Shark (1932 USA 80 mins) Prod Co: First National-Vitaphone/Warner Bros. Prod: Bryan Foy Dir: Howard Hawks Scr: Wells Root , from the story Tuna by Houston Branch Phot: Tony Gaudio Ed: Thomas Pratt ...
Gymnasts, Homunculi and Burning Crocodiles: A Few Thoughts on If…. David Melville August 2008 CTEQ Annotations on Film If…. (1968 UK 107 mins) Prod Co: Memorial Enterprises Prod: Michael Medwin, Lindsay Anderson Dir: Lindsay Anderson Scr: David Sherwin Phot: Miroslav Ondriček Prod Des: Jocelyn Herbert, Brian Eatwell Ed: ...
Russian Ark Pasquale Iannone March 2008 CTEQ Annotations on Film Russian Ark/Russkiy kovcheg (2002 Russia 99 mins) Prod Co: Egoli Tossell Film/For a Film/The Hermitage Bridge Studio Prod: Andrei Deryabin, Jens Meurer Dir: Alexandr Sokurov Scr: Anatoli Nikiforov, Alexa...
A Secret Sun Shines: The 5th Hong Kong Asian Film Festival Ben Cho March 2008 Festival Reports 23 September – 10 October 2007 While I couldn’t make the trek to the 2007 Hong Kong International Film Festival (HKIFF), there were murmurs amongst those who attended of a less-than-stellar program a...
Coppola, Sofia Anna Rogers November 2007 Great Directors b. 14 May 1971, New York, New York, USA Filmography Select Bibliography Articles in Senses Web Resources Sofia Coppola is a visually stylish film director. Undoubtedly, her self-confessed predilect...
The Professionals David Sanjek November 2007 CTEQ Annotations on Film The Professionals (1966 USA 123 mins) Prod Co: Columbia Dir: Richard Brooks Scr: Richard Brooks, based on the novel A Mule for the Marquesa by Frank O’Rourke Phot: Conrad Hall Ed: Peter Zinner Art Dir: E...
Transcendental Style in 2007: The 31st Hong Kong International Film Festival Virginia Wright Wexman August 2007 Festival Reports 20 March - 4 April 2007 Much of what I saw at this year’s Hong Kong International Film Festival gave new relevance to Paul Schrader’s 1972 book Transcendental Style in Film. (1) Schrader focused on the w...
I Vitelloni Jonathan Dawson August 2007 CTEQ Annotations on Film I Vitelloni (1953 Italy 103 mins) Prod Co: Peg-Film, Roma/Cité Films Dir: Federico Fellini Scr: Federico Fellini, Tullio Pinelli, Ennio Flaiano Phot: Otello Martell Ed: Rolando Benedetti Prod Des: Mario ...
Simple Acts of Annihilation: La Dolce Morte: Vernacular Cinema and the Italian Giallo Film by Mikel J. Koven Alexia Kannas August 2007 Book Reviews What is an Italian giallo film? Mikel J. Koven’s latest book La Dolce Morte: Vernacular Cinema and the Italian Giallo Film attempts to illuminate this under-appreciated cultural phenomenon and is in fact the fi...
Welcome to issue 43 of our journal! the editors May 2007 Editorial In a rare 1967 monograph, now long out of print, the Italian director Valerio Zurlini published a poetic account of an evening in the company of the great painter Balthus (Balthazar Klossowski, 1908-2001), ...
Traumatic Encounters in Italian Film: Locating the Cinematic Unconscious by Fabio Vighi Luana Ciavola May 2007 Book Reviews With his book, Fabio Vighi has accomplished something that has been eagerly awaited by those familiar with Italian cinema and psychoanalysis: an examination of Italian films through the psychoanalytic theories ...
Luc Moullet 6-Film Boxset (Blaq Out) Maximilian Le Cain May 2007 DVD Reviews In the course of Gérard Courant’s hugely engaging 2001 documentary portrait of Luc Moullet, L’Homme des roubines (The Man of the Badlands), Moullet approvingly cites Howard Hawks’ opinion that a filmmaker shoul...
2006 World Poll – Part 3 Various February 2007 2006 World Poll Editors’ Note Welcome to the annual Senses of Cinema World Poll. Readers should find it a fascinating overview of cinema from a multitude of countries and cultures. As some readers will seek and search entr...
2006 World Poll – Part 1 Various February 2007 2006 World Poll Editors’ Note Welcome to the annual Senses of Cinema World Poll. Readers should find it a fascinating overview of cinema from a multitude of countries and cultures. As some readers will seek and search entr...
“What I Really Want to do is Direct”: Directors as Depicted on Film and Television Richard Franklin February 2007 The Moral of the Auteur Theory The director of, among others, Roadgames, Psycho II and Hotel Sorrento, offers an insightful reflection on an issue close to his heart and profession.
Tender Speaking: An Interview with Christoph Hochhäusler Marco Abel February 2007 Cinema Engagé French critics coined the term Nouvelle Vague Allemande in response to the rise of a new wave of filmmaking in Germany. In this wide-ranging interview, the filmmaker and co-editor of the magazine Revolver discusses the current state of German cinema in the light of its history, and the cultural and æsthetic ideas that impact on his films and thinking.
Toni (Masters of Cinema) Michael Campi November 2006 DVD Reviews The striking series of DVD releases from Masters of Cinema celebrates an eclectic mix of directors and genres. Cinéphiles should rejoice that there are now such accessible and essential titles providing extende...
Bolognini, Mauro David Melville November 2006 Great Directors b. 28 June, 1922, Pistoia, Italy d. 14 May, 2001, Rome, Italy Filmography Select Bibliography Articles in Senses Web Resources The Melancholy of Sex Love destroys your will. And where there is no...
On Painting and History in Godard’s Histoire(s) du cinéma Sally Shafto July 2006 Special Dossiers, The Godard Museum “What are all these paintings doing in a history of cinema?” The author gives an answer in her analysis of Godard’s monumental video work, which approximates André Malraux’s concept of the imaginary museum.
Living Life as an Opera Lover: On the Uses of Opera as Musical Accompaniment in Woody Allen’s Match Point Charalampos Goyios July 2006 Feature Articles Composer and musicologist Charalampos Goyios provides an insightful analysis of opera as dramatic form in Allen’s recent film.
Therapy Sessions: The 30th Hong Kong International Film Festival Bob Davis July 2006 Festival Reports April 4–19, 2006 Immediate and full disclosure: I spent only nine full days in Hong Kong, saw 27 movies, (1) and ate way too much dim sum. (2) Below is a list of what I saw, (3) reactions fearlessly summ...
When Hou Met Kuriyami: The Hong Kong International Film Festival Turns 30 Ben Cho July 2006 Festival Reports April 4–19, 2006 My opening night schedule was planned with the kind of meticulous care which would have even made Michael Haneke proud (although commentary on contemporary colonialism or audience implic...
Liebelei (Max Ophuls, 1933) Jesús Cortés May 2006 CTEQ Annotations on Film The first thing that impresses one about Max Ophuls’ Liebelei is its rich simplicity. Based upon a short story by Arthur Schnitzler, it was Ophuls’ fifth feature and was completed only two years after his c...
Forst, Willi Robert von Dassanowsky May 2006 Great Directors b. Wilhelm Anton Frohs b. 7 April, 1903, Vienna, Austria-Hungary d. 11 August, 1980, Vienna, Austria Filmography Select Bibliography Web Resources A specific blend of historical and aestheti...
2005 World Poll – Part 2 Various February 2006 2005 World Poll Editors’ Note As readers may seek and search entries, rather than read from beginning to end, full titles, director credits and years of release have been included with each reference. Several authors have ...
2005 World Poll – Part 1 Various February 2006 2005 World Poll Editors’ Note As readers may seek and search entries, rather than read from beginning to end, full titles, director credits and years of release have been included with each reference. Several authors have ...
The Cinema of Abbas Kiarostami by Alberto Elena Hamish Ford February 2006 Book Reviews It seems extraordinary that Alberto Elena’s The Cinema of Abbas Kiarostami is the first book in English devoted to a reference-style coverage of Kiarostami’s filmmaking career, even if it is a translated and up...
Lacrimae Rerum Materialized Tag Gallagher October 2005 Feature Articles An exploration of the Straubs' majestic œuvre, countering much of the received dogma that has surrounded perception of their work.
Renoir and the Scandal of “First Love” or The Perils of Catherine Tag Gallagher February 2005 Feature Articles For Renoir, “first love” is an attitude toward life, in all its beauty and complexity.
2004 World Poll – Part 3 Various February 2005 2004 World Poll The Entries George Papadopoulos Alan Pavelin Mark Peranson Jit Phokaew Mike Plante Jared Rapfogel Andy Rector Bérénice Reynaud Mark Richardson Peter Rist Vadim Rizov James ...
2004 World Poll – Part 1 Various February 2005 2004 World Poll The Entries Acquarello Mubarak Ali Michael J. Anderson Geoff Andrew Saul Austerlitz Martyn Bamber Mike Bartlett Steve Benedict Alexander Bisley Stephen Brower Thomas Caldwel...
Carlo Di Palma: An Appreciation and a Remembrance Peter Tonguette October 2004 Feature Articles This tribute to the distinguished cinematographer (1925–2004) focuses on his 11-film collaboration with Woody Allen.
A Certain Kind of Semiological Infinity and Excess: The 51st Sydney Film Festival Saul Symonds July 2004 Festival Reports Film has always involved a certain materiality and a certain immateriality, a certain technology and a certain semiology. And a film festival reflects this on a larger scale: it is a total fact that always ...
Bava, Mario Sam Ishii-Gonzales April 2004 Great Directors b. July 31, 1914, San Remo, Italy d. April 25, 1980, Rome, Italy filmography articles in Senses web resources Mario Bava directed (or co-directed) twenty-four features during an eighteen year perio...
Fulci, Lucio Patricia MacCormack April 2004 Great Directors b. June 17, 1927, Rome, Italy d. March 13, 1996, Rome, Italy filmography references bibliography web resources “And you will face the sea of darkness, and all therein that may be explored.” – ”The ...
2003 World Poll – Part 3 Various February 2004 2003 World Poll The Entries Miguel Marías Philip Matthews James May Olaf Möller Sarah Nichols Darragh O'Donoghue John Orr Alan Pavelin Alberto Pezzotta Jit Phokaew Mike Plante Jared Rapf...