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      Perdita Durango: A Case Study

      Alex Williams
      April 2000
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      Max Bowens & Candice Strongwater
      July 2026
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      Colette de Castro
      July 2026
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      Salvador Carrasco
      July 2026
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      Pritish Das
      July 2026
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      Leonard Schwartz
      July 2026
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      Jens Andermann
      May 2026
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      Alex Williams
      January 2022
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      Arindam Sen
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      Alex Williams
      November 2007
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      Patrick F. Campos
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      Ashish Dwivedi
      November 2025
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      Alex Williams
      March 2011
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      Marc Raymond
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      Daichi Ogi
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      Susana Bessa
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      Stefan Solomon
      July 2026
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      Maja Korbecka
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      Botagoz Koilybayeva
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      Alex Williams
      June 2011
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      Mark Seton
      July 2026
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      Ragib Rahman
      July 2026
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      Jiahan Olivia Lin
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      Wheeler Winston Dixon
      May 2026
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      Scott Robinson
      May 2026
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      Emphasis on Climax: Catherine Breillat’s A Ma Soeur!

      Alex Williams
      September 2016
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      Shari Kizirian
      October 2026
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      Daniel Phuoc Wilson
      October 2026
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      Brad Weismann
      October 2026
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      Austin Lancaster
      October 2026
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      Inge Fossen
      September 2026
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      Alexia Kannas
      September 2026
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Author Alex Williams

Alex Williams

Alex Williams is a PhD candidate in Screen and Cultural Studies at the University of Melbourne, whose research focuses on corporeal vulnerability in contemporary slow cinema. They are co-coordinator of the community engagement program Screening Ideas and a committee member of the Melbourne Cinémathèque.

The Cruelty of Time: Amour

Alex Williams
April 2025
CTEQ Annotations on Film
In Michael Haneke’s Amour (2012), death is smelt before it is seen. The film opens with a shocking discovery: emergency services breach a sealed Parisian apartment following complaints of an odour emanating fro...

Seeing Colours: The Thief of Bagdad (1940)

Alex Williams
May 2024
CTEQ Annotations on Film
The Archers thought in colour from The Thief of Bagdad onwards. When British producer Alexander Korda set out to remake Raoul Walsh’s silent epic The Thief of Bagdad (1924), his intention was not fidelity to t...

Afflictions of Pain and Desire: The River (Tsai Ming-liang, 1997)

Alex Williams
May 2023
CTEQ Annotations on Film
A film crew is assembled at the bank of a river, struggling to make a mannequin look like a real dead body. The figure lies face-down in the grey water, but its imitation of human physicality is not quite right...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

Leonardo Goi • Abel Muñoz-Hénonin • Fiona Villella • Alex Williams • Nace Zavrl

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