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    • True Grit: Digerati Go Western? Millennials Go “Back in the Day”?

      Daniel Ribas
      March 2011
      Feature Articles
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    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part II

      Thomas Austin
      May 2022

    • Fire Machines: Titane and the Pyrotechnics of Love

      Emmalea Russo
      May 2022

    • Cringing Violently: Reparative Watching, Phenomenology and Discomfort in Australian Cinema

      Caitlin Wilson
      May 2022

    • Deleuzian Rumblings: Residue by Desire Machine Collective

      Vedant Srinivas
      May 2022

    • Acts of Faith: On Benedetta (Paul Verhoeven, 2021)

      Peter Verstraten
      May 2022

    • ‘Is The Power of the Dog a New Zealand film? National Identity, Genre and Jane Campion’

      Alfio Leotta & Missy Molloy
      May 2022
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      Nature of Keeping Awake: Hanif Kureishi and Collaborative Film-Making

      Daniel Ribas
      November 2000
      Interviews
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    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022

    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022

    • “The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz

      Victor Paz
      May 2022

    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Madeleine Collier
      May 2022

    • The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie

      Brigitta Wagner
      May 2022

    • Interview with Albert Birney & Kentucker Audley

      Nolan Kelly
      May 2022
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      Daniel Ribas
      April 2005
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      Sanya Osha
      May 2022

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      Darragh O’Donoghue
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      Jeremy Carr
      January 2022

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      Tom Cunliffe
      January 2022

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      Charles Fairbanks
      January 2022

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      Dan Golding
      July 2021
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      Daniel Ribas
      January 2022
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      Joy McEntee
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      Wheeler Winston Dixon
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      Jeremy Carr
      May 2022

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      Mark Lager
      May 2022
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    • A Prisoner of the Palace: The 49th New York Film Festival Remains Comfortably Installed

      Daniel Ribas
      December 2011
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      Madeleine Collier
      May 2022

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      Tara Judah
      May 2022

    • Absence and Presence at Internationale Kurzfilmtage Oberhausen. 68.

      Tara Judah
      May 2022

    • From Within the Umbra of History: A Few Things about the Films of Rainer Komers, Sohrab Hura and Sylvia Schedelbauer

      Anuj Malhotra
      May 2022

    • Film Goes On (?): The 23rd Jeonju International Film Festival

      Marc Raymond
      May 2022

    • Play-Doc 2022: António Campos, a secret filmmaker

      Ricardo Vieira Lisboa
      May 2022
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    • More than Meets the Eye: Siren City: Sound and Source Music in Classic American Noir by Robert Miklitsch

      Daniel Ribas
      June 2013
      Book Reviews
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    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022

    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022

    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022

    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021

    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021

    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
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    • Uta onna oboegaki (Notes of an Itinerant Performer, Hiroshi Shimizu, 1941)

      Daniel Ribas
      April 2021
      CTEQ Annotations on Film
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    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022

    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022

    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022

    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022

    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022

    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
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Author Daniel Ribas

Daniel Ribas

Daniel Ribas is a scriptwriter and regular contributor to the Portuguese newspaper O Primeiro de Janeiro. He is preparing his PhD thesis on the Portuguese filmmaker João Canijo.

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Escaping the Future: O Sangue

Daniel Ribas
February 2009
CTEQ Annotations on Film
O Sangue/The Blood (1989 Portugal 95 mins) Prod Co: Fundação Calouste Gulbenkian/IPC/RTP/Tropico Filmes Prod: José Bogalheiro Dir, Scr: Pedro Costa Phot: Acácio de Almeida, Elso Roque, Martin Schäfer Ed:...
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The Blurring of Boundaries: The 15th Vila do Conde Short Film Festival

Bárbara Barroso and Daniel Ribas
November 2007
Festival Reports
7-15 July 2007 Vila do Conde is a friendly beach town near Oporto, the second largest city in Portugal. Every July since 1993, it hosts one of the most relevant Portuguese film festivals dedicated to sho...

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