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    • Respecting the Lives of Others: Bergman Island, Hommage and Anaïs in Love

      Daniel Ribas
      August 2022
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    • “A long time ago….”: The Persistence and Longevity of ‘Star Wars’ at 45

      Tara Lomax
      October 2022

    • The Larrikin Girl: Challenging archetypes in Australian cinema

      Mark Freeman & Eloise Ross
      October 2022

    • Unrealisable woman: Tania in Stanley Kubrick’s Aryan Papers

      Joy McEntee
      October 2022

    • Anatomy of a Breakup or Her Life to Fix: The Worst Person in the World

      Salvador Carrasco
      October 2022

    • Protestploitation ’70: Revisiting Zabriskie Point and Strawberry Statement

      Selen Ozturk
      July 2022

    • More than a Wink: The Nature of Reality in Blow-Up and Las Babas del Diablo

      Will Hair
      July 2022
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      Daniel Ribas
      January 2022
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      Andrew Northrop
      October 2022

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      Maria Giovanna Vagenas
      October 2022

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      Maja Korbecka
      July 2022

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      Maria Giovanna Vagenas
      July 2022

    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022

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      Silvia Spitta & Gerd Gemünden
      May 2022
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      Daniel Ribas
      April 2004
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      Jeremy Carr
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      Hal Young
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      Sara Delshad
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      Sanya Osha
      May 2022

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      Darragh O’Donoghue
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      Jeremy Carr
      January 2022
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      Daniel Ribas
      January 2022
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      Jacob Agius
      October 2022

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      Joy McEntee
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      Jeremy Carr
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      Mark Lager
      May 2022
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      Midnight at MIFF? The 57th Melbourne International Film Festival 2008

      Daniel Ribas
      February 2009
      Festival Reports
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    • Skies Over and Caves Under Kutaisi: Kutaisi International Short Film Festival

      Levan Tskhovrebadze
      October 2022

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      Nolan Kelly
      October 2022

    • Budapest Classics Film Marathon

      Andrew Northrop
      October 2022

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      Jaimey Fisher
      October 2022

    • Setting the World Ablaze: Notes from the 30th Curtas Vila do Conde International Film Festival

      Susana Bessa
      October 2022

    • (Fist) Bump in the Night at Fantasia 2022

      Jake Pitre
      October 2022
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      Screen Theorizing Today: A Celebration of Screen’s Fiftieth Anniversary edited by Annette Kuhn

      Daniel Ribas
      July 2010
      Book Reviews
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    • Philosophy for the Blockbuster Audience: Christopher Nolan: Filmmaker and Philosopher, by Robbie B. H. Goh

      Tom Boniface-Webb
      October 2022

    • Do we need Digital Tarkovsky?

      Corey P. Cribb
      October 2022

    • Trafic at 30, End of a Film Journal

      Emmanuel Bonin
      July 2022

    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022

    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022

    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022
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      Tracing an Original and the Law of Diminishing Returns: Brakhage

      Daniel Ribas
      July 2004
      CTEQ Annotations on Film
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    • Othering Heights: The Queerest of the Queer in Rosa von Praunheim’s City of Lost Souls (1983)

      Cerise Howard
      December 2022

    • To walk away, you gotta leave something behind, or a long story short: Hedwig and the Angry Inch (2001)

      Cerise Howard
      December 2022

    • Lost Paradise: F.W. Murnau’s Tabu: A Story of the South Seas (1931)

      Andréas Giannopoulos
      November 2022

    • Nosferatu: Eine Symphonie des Grauens (Nosferatu: A Symphony of Horror, F.W. Murnau, 1922)

      Martyn Bamber
      November 2022

    • Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

      Jacob Agius
      October 2022

    • Die Finanzen des Großherzogs (The Grand Duke’s Finances, F.W. Murnau, 1924)

      Jonathan Mackris
      October 2022
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Author Daniel Ribas

Daniel Ribas

Daniel Ribas is a scriptwriter and regular contributor to the Portuguese newspaper O Primeiro de Janeiro. He is preparing his PhD thesis on the Portuguese filmmaker João Canijo.

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Escaping the Future: O Sangue

Daniel Ribas
February 2009
CTEQ Annotations on Film
O Sangue/The Blood (1989 Portugal 95 mins) Prod Co: Fundação Calouste Gulbenkian/IPC/RTP/Tropico Filmes Prod: José Bogalheiro Dir, Scr: Pedro Costa Phot: Acácio de Almeida, Elso Roque, Martin Schäfer Ed:...
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The Blurring of Boundaries: The 15th Vila do Conde Short Film Festival

Bárbara Barroso and Daniel Ribas
November 2007
Festival Reports
7-15 July 2007 Vila do Conde is a friendly beach town near Oporto, the second largest city in Portugal. Every July since 1993, it hosts one of the most relevant Portuguese film festivals dedicated to sho...

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