Revealing the danger of passively trusting in those signifying authorised power, these two short horror films emphasise the agency of the viewer in producing meaning and affect.
(Stanford: Stanford University Press, 2003) The premise of this book positions it within a disturbing paradigm shift in current academic and philosophical texts. Pisters orients her work around its usefulnes...
An exploration of Lee's Italian films and their specific presentation of perversion, offering viewers access to unconventional forms of desire and a unique viewing experience.
Led by the force and power of Barbara Steele's image, MacCormack steps beyond traditional feminist film theory to outline a new theory of desire and cinesexuality.