Welcome to issue 44 of our journal! the editors August 2007 Editorial Jonas Mekas has acquired the look of a wise old sage. It’s the look of someone who has seen much of the world and retained a sense of wonder – or, the look of someone who has spent a lifetime with his eye f...
For the Love of Experimental Cinema: Interview with Christian Lebrat Viviane Vagh August 2007 Feature Articles A key contributor to France’s experimental film culture, Christian Lebrat, filmmaker and director of the publishing imprint Paris Expérimental, talks about his films and related interests.
“I Have Always Been Attracted to Painting”: Handwritten Notes Taken to Answer a Friend’s Questions, Written in 1984 Christian Lebrat August 2007 Feature Articles Christian Lebrat discusses the early phase of his career, including such works as Film numéro deux, Liminal Minimal and Autoportrait au dispositif.
The Lost Prophet of Cinema: The Film Theory of Antonin Artaud Lee Jamieson August 2007 Feature Articles Of the many scenarios written by Antonin Artaud, only one was produced: The Seashell and the Clergyman. Though Artaud’s association with cinema was a troubled one, his writings on film nonetheless reveal a mind much engaged with the medium’s unique possibilities.
Identity of Cinema: Experimental and Different Raphaël Bassan August 2007 Feature Articles A translation that first appeared in the French magazine Europe in 2006, in which Raphaël Bassan presents a myriad of stimulating reflections on the history of avant-garde and experimental cinema.
Notes on the Death of Beauty, Art and Talent: A Correspondence with Ben Hackworth Matthew Clayfield August 2007 Feature Articles The co-writer and director of the recent Australian independent feature Corroboree discusses his film, and the broader issues of film culture and film funding that impact on lower-budget filmmaking.
“Surrealism” and the Omnipotence of Cinema James M. Magrini August 2007 Feature Articles Starting from André Breton’s 1924 Manifesto of Surrealism, this essay explores the ways in which the Movement’s philosophical ideas found expression in the ‘first wave’ of surrealist filmmaking in such films as L’Étoile de Mer and Un Chien Andalou.
The American Friend: Tom Luddy on Jean-Luc Godard Brad Stevens August 2007 Feature Articles Tom Luddy was the principal conduit for almost all of Godard’s forays into the North American film scene. From Godard’s ‘Dziga Vertov’ tours to his association with Francis Coppola’s Zoetrope, Luddy played a crucial role.
Life Sentence: Dreams of Captivity and Freedom in Jan Švankmajer’s Šílení Sebastian Manley August 2007 Feature Articles Sebastian Manley thoughtfully dissects the interweaving influences and meanings found in the most recent work of this great Czech surrealist animator.
Hand of Hysteria: The Bipartite Body of the Brothers Quay Amir Mogharabi August 2007 Feature Articles This essay examines the role of stop-motion animation as a reversal of the model of hysteria as posited by psychoanalytic approaches.
Cinema of Pre-predication: On Stan Brakhage and the Phenomenology of Maurice Merleau-Ponty Alex Cobb August 2007 Feature Articles “Brakhage gives us phenomenologies on celluloid.” So argues Alex Cobb as he draws out the affinities between the filmmaker and the philosopher.
For the Life of Experimental Cinema: A Conversation with Raphaël Bassan Viviane Vagh August 2007 Feature Articles Filmmaker Viviane Vagh talks to one of the seminal figures of the French experimental film scene. Filmmaker, critic and cinema historian, Raphaël Bassan speaks about his career, his films and his life long passion for film.
There’s other Stuff than Art? An Interview with Michael Betancourt Rey Parla August 2007 Feature Articles A stimulating discussion with Miami-based filmmaker and theoretician Michael Betancourt about his unique audio-visual experiments.
“Me, I Just Film My Life”: An Interview with Jonas Mekas Brian L. Frye August 2007 Feature Articles The most influential figure in the history of the ‘New American Cinema’ discusses his past, present and ongoing projects. The interview concludes with Mekas’ strikingly precise and detailed evocation of the historical controversy surrounding Jack Smith’s Flaming Creatures.
Cinema. A Stream: The 9th Udine Far East Film Festival Olaf Möller October 2007 Festival Reports 20-29 April 2007 Udine’s Far East Film Festival remains a gathering place of choice for those truly serious about East and Southeast Asian cine...
A Promising Start to a Rejuvenated Festival: The 54th Sydney Film Festival Hamish Ford October 2007 Festival Reports 8-24 June 2007 By almost any measure, the 2007 Sydney Film Festival has been the best since at least 2004. The range of films was good, even if...
Cinema Without Borders: The 56th Melbourne International Film Festival Matthew Clayfield October 2007 Festival Reports 25 July - 12 August 2007 An international film festival is kind of like an extended news bulletin – a dispatch wired back to us from the frontl...
Transcendental Style in 2007: The 31st Hong Kong International Film Festival Virginia Wright Wexman August 2007 Festival Reports 20 March - 4 April 2007 Much of what I saw at this year’s Hong Kong International Film Festival gave new relevance to Paul Schrader’s 1972 book...
Iranian Cinema Looks Inward: The 25th Fajr International Film Festival Michelle Langford August 2007 Festival Reports 1-11 February 2007 In the year 2000, Hamid Dabashi provided an overview of the state of Iranian cinema. That year, according to Dabashi, herald...
Explaining Mabelescence: The 3rd Amsterdam Filmmuseum Biennale Jay Weissberg August 2007 Festival Reports 11-15 April 2007 In whatever epoch of the picture business Mabel Normand had entered, she would have been the biggest star in it. – Adela Rogers...
Reality-Based Filmmaking: The 4th Annual True/False Festival of Documentary Film Brad Prager August 2007 Festival Reports 1-4 March 2007 Is there a new wave in documentary filmmaking? Taken as a whole, the level of public engagement with films such as An Inconvenie...
Can Independent Film Sell?: The 4th Mexico City International Contemporary Film Festival David M. J. Wood August 2007 Festival Reports 21 February - 4 March 2007 While the holy trinity of contemporary Mexican cinema, Alejandro González Inárritu, Alfonso Cuarón and Guillermo del...
Moroccan Cinema at Las Palmas: Immigration from the Other Shore: 8th Las Palmas de Gran Canaria International Film Festival Lidia Merás August 2007 Festival Reports 16-24 March 2007 Translated by Anita Haas Because of its varied landscape, the Spanish island of Gran Canaria (The Canary Islands) often goe...
Fragments of Forgotten Shame: Films about Imperial Japan at Hot Docs 2007 Brandon Wee August 2007 Festival Reports 19-29 April 2007 At Hot Docs this year, two titles about Japanese involvement in World War II made it as official selections. Nanking (2007), c...
Richardson, Tony Sandra Koponen August 2007 Great Directors b. 5 June 1928, Shipley, Yorkshire, England d. 14 November 1991, Los Angeles Filmography Select Bibliography Articles in Senses Web Resourc...
Passionate Encounters with Jane Campion’s “Cinematic Consciousness”: Jane Campion by Kathleen McHugh and The Piano by Gail Jones Lisa French October 2007 Book Reviews Research into female authorship in the cinema was a neglected area in cinema studies until the 1990s (1). Since then, there has been an increased inte...
Abigail Child’s This is Called Moving: A Critical Poetics of Film Tina Wasserman August 2007 Book Reviews Tina Wasserman discusses a treasure trove of illuminating ideas found in this collection of essays by experimental filmmaker and writer Abigail Child.
The Remote Control as Political Weapon: Death 24x a Second: Stillness and the Moving Image by Laura Mulvey Jeroen Gerrits August 2007 Book Reviews In the preface to her most recent book, Death 24x a Second: Stillness and the Moving Image, Laura Mulvey describes and comments on a shift in her own ...
In Search of Anxious Time: Deleuze, Cinema and National Identity: Narrative Time in National Contexts by David Martin-Jones Felicity. J. Colman August 2007 Book Reviews CLEMENTINE KRUCZYNSKI : You're not a stalker or anything, right? JOEL BARISH : I'm not a stalker. You're the one that talked to me, remember? CLEMEN...
American Movie Critics: An Anthology From the Silents Until Now edited by Phillip Lopate John Fidler August 2007 Book Reviews The aim of all commentary on art now should be to make works of art – and, by analogy, our own experience – more, rather than less, real to us. The fu...
“Africa is a Revolutionary Country”: Sally Shafto’s Zanzibar: The Zanzibar Films and the Dandies of May 1968 Keith Reader August 2007 Book Reviews Keith Reader reviews Sally Shafto’s stimulating and indispensable book on one of the most overlooked radical filmmaking collectives.
In Search of a (Reluctant) Feminist: Women in Polish Cinema by Ewa Mazierska and Elzbieta Ostrowska Renata Murawska August 2007 Book Reviews With the defiance expected in the greatest of social causes, Polish female filmmakers have insisted for years that they do not make women’s cinema. Th...
The Grocer Who Dreams: Postcards from the Cinema by Serge Daney Tony McKibbin August 2007 Book Reviews In Being and Nothingness, Jean-Paul Sartre says a grocer who dreams is offensive to the buyer, because such a grocer is not wholly a grocer. Etiquett...
Simple Acts of Annihilation: La Dolce Morte: Vernacular Cinema and the Italian Giallo Film by Mikel J. Koven Alexia Kannas August 2007 Book Reviews What is an Italian giallo film? Mikel J. Koven’s latest book La Dolce Morte: Vernacular Cinema and the Italian Giallo Film attempts to illuminate this...
Muriel ou Le temps d’un retour David Ehrenstein August 2007 CTEQ Annotations on Film Muriel ou Le temps d’un retour (1963 France/Italy 116 mins) Prod Co: Argos Films/Alpha Productions/Eclair/Films de la Pleiade (Paris)/Dear Film...
I Walked With a Zombie Martha P. Nochimson August 2007 CTEQ Annotations on Film I Walked With a Zombie (1943 USA 69 mins) Prod Co: RKO Pictures Prod: Val Lewton Dir: Jacques Tourneur Scr: Curt Siodmak, Ardel Wray, based on ...
Long Night’s Journey into Day: Listening with Prejudice in The Ear Adam Bingham August 2007 CTEQ Annotations on Film The Ear/Ucho (1970 Czechoslovakia 94 mins) Prod Co: Filmové Studio Barrandov Prod: Karel Vejrík Dir: Karel Kachyna Scr: Jan Procházka, Karel Ka...
This Film’s Going Bad: Collaborative Cutting in Daisies Dylan Rainforth August 2007 CTEQ Annotations on Film Daisies/Sedmikrásky (1966 Czechoslovakia 74 mins) Prod Co: Filmové Studio Barrandov Prod: Ladislav Fikar, Bohumil Smída Dir: Věra Chytilová Scr...
The Cremator Brian Hoyle August 2007 CTEQ Annotations on Film The Cremator/Spalovac mrtvol (1968 Czechoslovakia 87 mins) Prod Co: Filmové Studio Barrandov/Sebor Dir: Juraj Herz Scr: Juraj Herz, Ladis...
Don’t Look Back: Come and See Adrian Danks August 2007 CTEQ Annotations on Film This annotation previously appeared in Senses of Cinema, no. 20, May–June 2002, and in Senses of Cinema, no. 6, May 2000. Come and See (1985 So...
Cat People Brad Weismann August 2007 CTEQ Annotations on Film Cat People (1942 USA 73 mins) Prod Co: RKO Pictures Prod: Val Lewton Dir: Jacques Tourneur Scr: DeWitt Bodeen Phot: Nicholas Musuraca Ed: Mark ...
What Price Glory? Robert Keser August 2007 CTEQ Annotations on Film What Price Glory? (1926 USA 116 minutes) Prod Co: Fox Prod, Dir: Raoul Walsh Scr: James T. O’Donohue, from the play by Maxwell Anderson and Lau...
I Vitelloni Jonathan Dawson August 2007 CTEQ Annotations on Film I Vitelloni (1953 Italy 103 mins) Prod Co: Peg-Film, Roma/Cité Films Dir: Federico Fellini Scr: Federico Fellini, Tullio Pinelli, Ennio Flaiano...
The Eccentric Carnival: Valerie and Her Week of Wonders David Melville August 2007 CTEQ Annotations on Film Valerie and Her Week of Wonders/Valerie a tyden divu (1970 Czechoslovakia 77 mins) Prod Co: Filmové Studio Barrandov Prod: Jirí Becka Dir: Jaro...
“Air… You can’t see it, so why talk about it?” Conversing with Raoul Walsh’s The Strawberry Blonde Adrian Danks August 2007 CTEQ Annotations on Film The Strawberry Blonde (1941 USA 97 minutes) Prod Co: Warner Bros. Dir: Raoul Walsh Scr: Julius J. Epstein, Philip G. Epstein, based on the play...
Spione Darragh O’Donoghue August 2007 CTEQ Annotations on Film Spione/Spies (1928 Germany 145 mins) Prod Co: Fritz Lang-Film/UFA Prod: Erich Pommer Dir: Fritz Lang Scr: Thea von Harbou, Fritz Lang, based on...
Marriage as Cinematic Movement, or Loving the Face in Close-Up: Scenes From a Marriage Kristi McKim August 2007 CTEQ Annotations on Film Scenes From a Marriage/Scener ur ett äktenskap (1973 Sweden 168 mins) Prod Co: Cinematograph AB Prod: Ingmar Bergman, Lars-Owe Carlberg Dir, Sc...
Erich von Stroheim’s Damned Queen: Queen Kelly Michael Koller August 2007 CTEQ Annotations on Film Queen Kelly (1928 USA 96 mins) Prod Co: Gloria Swanson Pictures Corporation/United Artists Prod: Erich von Stroheim, Joseph P. Kennedy , Gloria...