• Features
  • Festival Reports
  • Book Reviews
  • CTEQ
  • Great Directors
  • Special Dossiers
  • Past Issues
  • Podcast
  • Support us on Patreon
Search
Senses of Cinema logo
  • Dossiers
  • Features
    Random
    • article placeholder

      Some Films of the '90s

      Dylan Rainforth
      January 2000
      Feature Articles
    Recent

    • Bigger than life, or stranger: Pedro Costa’s Vitalina Varela: Part II

      Thomas Austin
      May 2022

    • Fire Machines: Titane and the Pyrotechnics of Love

      Emmalea Russo
      May 2022

    • Cringing Violently: Reparative Watching, Phenomenology and Discomfort in Australian Cinema

      Caitlin Wilson
      May 2022

    • Deleuzian Rumblings: Residue by Desire Machine Collective

      Vedant Srinivas
      May 2022

    • Acts of Faith: On Benedetta (Paul Verhoeven, 2021)

      Peter Verstraten
      May 2022

    • ‘Is The Power of the Dog a New Zealand film? National Identity, Genre and Jane Campion’

      Alfio Leotta & Missy Molloy
      May 2022
  • Interviews
    Random

    • Information as a music video, comedy as a diagram: Beny Wagner & Sasha Litvintseva in conversation

      Dylan Rainforth
      May 2022
      Interviews
    Recent

    • Human is only human when vulnerable: An Interview With Michel Franco

      Savina Petkova
      May 2022

    • ‘I Was Taunting the Western’: An Interview with Alejandra Márquez Abella

      Silvia Spitta & Gerd Gemünden
      May 2022

    • “The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz

      Victor Paz
      May 2022

    • The Creative Leap to Fluid Consciousness: An Encounter with Ashley McKenzie

      Brigitta Wagner
      May 2022

    • Interview with Albert Birney & Kentucker Audley

      Nolan Kelly
      May 2022

    • An Interview with Danny Lyon

      Elizabeth Dexter
      May 2022
  • Great Directors
    Random

    • Thornton, Leslie

      Dylan Rainforth
      December 2002
      Great Directors
    Recent

    • Smith, Jack: Travails of an Underground Artist

      Sanya Osha
      May 2022

    • Desai, Manmohan

      Darragh O’Donoghue
      May 2022

    • Curtiz, Michael

      Jeremy Carr
      January 2022

    • Lau, Kar-leung

      Tom Cunliffe
      January 2022

    • Tahimik, Kidlat 

      Charles Fairbanks
      January 2022

    • Lucas, George

      Dan Golding
      July 2021
  • Great Actors
    Random

    • Garbo, Greta

      Dylan Rainforth
      May 2022
      Great Actors
    Recent

    • Lansbury, Angela

      Joy McEntee
      May 2022

    • Caine, Michael

      Wheeler Winston Dixon
      May 2022

    • Magee, Patrick

      Mark Lager
      May 2022

    • Cage, Nicolas

      Jessica Balanzategui
      January 2022
  • Festival Reports
    Random
    • article placeholder

      The Cannes Files: (some para-text to Cannes 2005): Cannes International Film Festival

      Dylan Rainforth
      July 2005
      Festival Reports
    Recent

    • Day by Day: IFFR 2022

      Madeleine Collier
      May 2022

    • Stuck in traffic: IFFR 2022

      Tara Judah
      May 2022

    • Absence and Presence at Internationale Kurzfilmtage Oberhausen. 68.

      Tara Judah
      May 2022

    • From Within the Umbra of History: A Few Things about the Films of Rainer Komers, Sohrab Hura and Sylvia Schedelbauer

      Anuj Malhotra
      May 2022

    • Film Goes On (?): The 23rd Jeonju International Film Festival

      Marc Raymond
      May 2022

    • Play-Doc 2022: António Campos, a secret filmmaker

      Ricardo Vieira Lisboa
      May 2022
  • Book Reviews
    Random
    • article placeholder

      Film Theory in Translation: Chinese Films in Focus: 25 New Takes edited by Chris Berry

      Dylan Rainforth
      April 2004
      Book Reviews
    Recent

    • How to Do Things with Camera Movement: The Lure of the Image: Epistemic Fantasies of the Moving Camera, by Daniel Morgan

      Kyle Barrowman
      May 2022

    • The Depths of Empiricism: Werner Herzog: Ecstatic Truth and Other Useless Conquests, by Kristoffer Hegnsvad

      Tony McKibbin
      January 2022

    • Hollywood, Reinvented: Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, by Glenn Frankel

      Elroy Rosenberg
      January 2022

    • Rhythm and Light: Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick, and Ruiz, by Laleen Jayamanne

      Steven Shaviro
      July 2021

    • West Side Story Redux: West Side Story: The Jets, the Sharks, and the Making of a Classic, by Richard Barrios

      Adrian Schober
      July 2021

    • Foraging in a Transforming Mediascape: Cinemas Dark and Slow in Digital India, by Lalitha Gopalan

      Megan Carrigy
      July 2021
  • CTEQ
    Random
    • article placeholder

      Perel’s Perils: Europa Europa

      Dylan Rainforth
      July 2005
      CTEQ Annotations on Film
    Recent

    • Shockproof (Douglas Sirk, 1949): The Insanity of Romantic Desire

      Wheeler Winston Dixon
      May 2022

    • The Grotesque Loves of Jealousy, Italian Style (Ettore Scola, 1970)

      Tiia Kelly
      May 2022

    • A Geography of Fractured Desire: Michelangelo Antonioni’s L’eclisse (1962)

      Danica van de Velde
      May 2022

    • Il Deserto Rosso (Red Desert, Michelangelo Antonioni, 1964)

      Boyd van Hoeij
      May 2022

    • ‘You Can’t Make an Omelette…’ – Modesty Blaise (Joseph Losey, 1966) and the Art of Breaking Eggs

      David Melville
      May 2022

    • Fritz Lang’s Spione (1928)

      Shari Kizirian
      May 2022
  • Support Senses
  • About Senses of Cinema
    • Contact Us
    • Staff
    • Thank you to our Patrons
    • Style Guide
  • Latest
  • Past Issues
  • World Poll
  • Podcast
  • Advertisers
  • Proposals
  • Call for Submissions
  • Shop
  • Subscribe
more articles... more articles... more articles... more articles... more articles...

Author Dylan Rainforth

Dylan Rainforth

Dylan Rainforth is a member of the Melbourne Cinémathèque committee. He is currently completing a Master of Arts in art history and theory, at Monash University, which looks at the work of artist and theorist Hito Steyerl in terms of an essayistic practice combining film, writing, installation and lecture-performance.

article placeholder

Boxing on with Mao and Mundine: Come Out Fighting

Dylan Rainforth
May 2008
CTEQ Annotations on Film
Come Out Fighting (1973 Australia 50 mins) Dir: Nigel Buesst Scr: Nigel Buesst, based on the play by Harry Martin Phot: Byron Kennedy Ed: Tony Patterson Cast: Michael Karpaney, Joey Collins, Bethany L...
article placeholder

This Film’s Going Bad: Collaborative Cutting in Daisies

Dylan Rainforth
August 2007
CTEQ Annotations on Film
Daisies/Sedmikrásky (1966 Czechoslovakia 74 mins) Prod Co: Filmové Studio Barrandov Prod: Ladislav Fikar, Bohumil Smída Dir: Věra Chytilová Scr: Věra Chytilová, Ester Krumbachová, Pavel Jurácek Phot: Jar...

Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet.

Senses of Cinema was founded on stolen lands. We acknowledge the sovereignty of the Wurundjeri and Boon Wurrung people of the Kulin nation and support all Aboriginal people on their paths to self-determination.

 

© Senses of Cinema 2019

Staff Members

Editors:

César Albarrán-Torres • Amanda Barbour • Tara Judah • Abel Muñoz-Hénonin • Fiona Villella

Contributing Partner

Donate to Senses

 

Click here to make a donation. If you are an Australian resident, any donations over $2 are tax deductible.

 

Search

  • About Senses of Cinema
  • Contact Us
  • Privacy
  • Proposals
  • Advertisers
  • Staff