Singing in the Rain – Supercinematography by Peter Tscherkassky Alexander Horwath October 2003 Peter Tscherkassky & the Austrian Avant-Garde Tscherkassky's career, which ranges from work on Super 8 to 35mm, is distinctly post avant-garde, characterised by a unique approach to traditions of filmmaking, film theory, the physicality of film, the self and the history of cinema.
Arnold, Brehm, Deutsch and Tscherkassky: Four Contemporary Austrian Avant-garde Filmmakers George Clark October 2003 Peter Tscherkassky & the Austrian Avant-Garde Analysing in turn the aesthetics, thematics and politics of each of these filmmakers' work, Clark presents a comprehensive view of contemporary Austrian avant-garde cinema.
Counting the Waves: A Summary of Activity Mark Webber October 2003 Peter Tscherkassky & the Austrian Avant-Garde Webber provides an overview of Austrian avant-garde cinema from the 1950s to the present.
Expanded Cinema as Expanded Reality Valie Export October 2003 Peter Tscherkassky & the Austrian Avant-Garde In this lecture, the "Expanded Cinema" pioneer discusses her radically materialist, anti-authoritarian work, in which "the deconstruction of dominant reality" allows new ways of seeing and perceiving.
Found Face: on Outer Space Christa Blümlinger October 2003 Peter Tscherkassky & the Austrian Avant-Garde Re-reading found footage in an original way, Outer Space moves between emotion and analysis, figuration and abstraction.
