Singing in the Rain – Supercinematography by Peter Tscherkassky Alexander Horwath October 2003 Peter Tscherkassky & the Austrian Avant-Garde Tscherkassky's career, which ranges from work on Super 8 to 35mm, is distinctly post avant-garde, characterised by a unique approach to traditions of filmmaking, film theory, the physicality of film, the self and the history of cinema.
BANG BANG – Begegnungen mit Romuald Karmakar und seinen Filmen Alexander Horwath July 2002 Feature Articles (In German.) An informed, revealing discussion of contemporary German cinema that highlights the work of Romuald Karmaker as a maverick in the tradition of Cassavetes and Hellman.
BANG BANG – Encounters with Romuald Karmakar and his films Alexander Horwath July 2002 Feature Articles An informed, revealing discussion of contemporary German cinema that highlights the work of Romuald Karmakar as a maverick in the tradition of Cassavetes and Hellman.
The Man with the Magnétoscope – Jean-Luc Godard’s Monumental Histoire(s) du cinéma as SoundImageTextBook Alexander Horwath July 2001 Garrel & Godard (Pt 2) With passion and insight, Horwath discusses the "baroque" logic of the Histoire(s).
Der Mann mit dem Magnetoskop – Jean-Luc Godards monumentale “Geschichte(n) des Kinos” als TonBildTextBuch Alexander Horwath July 2001 Garrel & Godard (Pt 2) Der folgende Text wurde im Dezember 1998 verfaßt und veröffentlicht in: TAZ (Berlin), Basler Zeitung (Basel), Die Presse (Wien). * * * "Die Erlebnisse unserer Sinne sind nämlich beinahe ebenso konservativ...
